Of notability, Max Mathews, considered by many to be the founding father of computer music, used among others, a DDP-224 and a DDP-24 computer to develop his GROOVE music system, as related by Professor Barry Vercoe in a 1999 MIT Media Lab interview.
Max Roach | Max Martin | Mad Max | Max Ernst | Max Bygraves | Max Weber | Max Bruch | Max McLean | Max | Max Factor | Max Beckmann | Max Baucus | Max von Sydow | Max Reger | Max Beerbohm | Max Ophüls | Max Müller | Max Headroom | Max Bill | Peter Max | Max Reinhardt | Max Planck Society | Max Azria | Max Payne | Max Mosley | Max Mirnyi | Max Mallowan | Max Liebermann | Max Eastman | Max Born |
Csound was originally written at MIT by Barry Vercoe, based on his earlier system called Music 11, which in its turn followed the MUSIC-N model initiated by Max Mathews at the Bell Labs.
Here he was prominent in the research of computer music, as a Visiting Professor of Music, Emeritus (along with John Chowning and Max Mathews).
RTSKED is a real-time scheduled language for controlling a music synthesizer, developed by Max Mathews and cited by Miller Puckette as an antecedent for Max.