He also consolidated his solo career by playing the Bruch Violin Concerto No. 1 with the London Symphony Orchestra at the Queen's Hall in 1910.
Meanwhile she was invited from classical music circles where she played Béla Bartók, Franz Lehár, Sarasate, Debussy, Saint Sean, Fritz Kreisler, De Falla, Tchaikovsky, Dvorak, Franz Liszt, Max Bruch, Georg Boulanger, Bach, Vivaldi, Spohr, etc.
Max Bruch – Romanze for viola and orchestra, Op. 85 (1911)
Bruch had a long career as a teacher, conductor and composer, moving among musical posts in Germany: Mannheim (1862–1864), Koblenz (1865–1867), Sondershausen, (1867–1870), Berlin (1870–1872), and Bonn, where he spent 1873–78 working privately.
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The Sutro sisters, however, had asked Bruch for a concerto specifically for them, which he produced by arranging this suite into a double piano concerto, but only to be played within the Americas and not beyond.
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The Concerto in A-flat minor for Two Pianos and Orchestra, Op. 88a, was finished in 1912 for the American duo Sutro pianists Rose and Ottilie Sutro, but was never played in the original version.
Max Bruch: Odysseus Jeffrey Kneebone, Nancy Maultsby, Camilla Nylund (soloists); NDR North German Radio Philharmonic Orchestra and Chorus, Leon Botstein (conductor).
Alexander von Zemlinsky - Max Bruch : Trio in d minor, op. 3; Eight pieces, op. 83 (Claves)
In July 1890, Shaw heard him play Max Bruch's first concerto and remarked, 'Nachez is one of the most musically intelligent violinists we have, but his technique fails him in rapid and difficult movements.'
Max Roach | Max Martin | Mad Max | Max Ernst | Max Bygraves | Max Weber | Max Bruch | Max McLean | Max | Max Factor | Max Beckmann | Max Baucus | Max von Sydow | Max Reger | Max Beerbohm | Max Ophüls | Max Müller | Max Headroom | Max Bill | Peter Max | Max Reinhardt | Max Planck Society | Max Azria | Max Payne | Max Mosley | Max Mirnyi | Max Mallowan | Max Liebermann | Max Eastman | Max Born |
Adlam is known as a soloist for his performances of the concerti by Tchaikovsky, Paganini, Mendelssohn, Bruch, Wieniawski, Bach, Mozart and Vivaldi.
The chamber music of Borodin, Respighi, Saint-Saëns, the piano trios of Richard Strauss, the chamber music of the Terezin Composers, Joseph Rheinberger, Eric Zeisel, Max Bruch, Willem Pijper, Zdenek Fibich, Glazunov, Edmund Rubbra, Luigi Cherubini, Wilhelm Stenhammar are among the subjects which appeared in past issues.
From 1885 he was Professor of Composition at the Hochschule für Musik in Berlin: it was in this capacity that he advised the young Ralph Vaughan Williams to study with Max Bruch.
2008 concert première of Max Bruch’s string quintet in Eb (composed in 1918) at the Wigmore Hall in London.
Bader made numerous recordings throughout the 1980s and 1990s, most notably, with the music of Kurt Weill, Ignacy Jan Paderewski, Joseph Joachim and others, including mainstream and the lesser-known 18th and 19th century masses by Mozart, Bruch, Beethoven, Bruckner, Weber, as well as Nicolai, Suppé, and Donizetti.
Max Bruch explored the boundaries of the solistic and symphonic genres in the Scottish Fantasy (violin soloist), Kol Nidrei (cello soloist), and Serenade (violin soloist).
The American violinist Joan Field recorded for Telefunken the great violin concertos by Bruch, Dvorak, Mendelssohn, Mozart and Spohr.