The documents come from families (the Dessaulles, McCord, Armstrong-Deligny-Philips and Bacon families); from well-known individuals (Sir George-Étienne Cartier, Maurice-Régis Blondeau, Hélène Baillargeon Côté); from companies and associations (Women's Art Society of Montreal, Victoria Rifles of Canada, Gibb & Co.); and from collections (New France, British Empire, Concert and Theatre Programs, Valentines).
In Montreal, Quebec he created heraldic art, worked for the Museum of McGill University as a consultant on aboriginal lore, and consulted to McCord Museum on canoes 1920-33.
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He then moved to Montreal, Quebec 1920-33 where he created heraldic art, worked for the Museum of McGill University as a consultant on aboriginal lore, and consulted to McCord Museum on canoes.
British Museum | Museum of Modern Art | Metropolitan Museum of Art | American Museum of Natural History | Victoria and Albert Museum | Natural History Museum | San Francisco Museum of Modern Art | Honolulu Museum of Art | museum | Whitney Museum of American Art | Museum of Fine Arts, Boston | Los Angeles County Museum of Art | Solomon R. Guggenheim Museum | National Air and Space Museum | Brooklyn Museum | National Baseball Hall of Fame and Museum | Hermitage Museum | National Museum of Racing and Hall of Fame | Museum of Contemporary Art | Field Museum of Natural History | Philadelphia Museum of Art | Imperial War Museum | Smithsonian American Art Museum | National Museum | National Museum of Natural History | Museum of Fine Arts, Houston | Denver Art Museum | Cleveland Museum of Art | Museum of Contemporary Art, Los Angeles | National Maritime Museum |