# "Hip Skip" (George Benson) - 8:03 Guitar - George Benson, Keyboards, Synthesizers - Hammer, Electric bass - Paul Jackson, Saxophone - Michael Brecker, Percussion - Ralph MacDonald
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In past interviews and articles, Anuj has cited a number of artists who have been influential on his own work including A R Rahman, Nitin Sawhney, Talvin Singh, Cassius Khan, Peter Gabriel, Ustad Nusrat Fateh Ali Khan, Hans Zimmer, John Williams, PM Dawn, Ustad Zakir Hussain, Danny Elfman, Jonathan Elias, Michael Brecker, RD Burman, Public Enemy, Dave Mathews, Karsh Kale, Ustad Tari Khan, Pt.
His résumé includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Gerry Mulligan, John Coltrane, Benny Goodman, Buck Clayton, Ahmad Jamal, Bill Bruford, Scott LaFaro, Marian McPartland, Paul Bley, Michael Brecker, Wayne Shorter, Steps Ahead, Steve Gadd, Ron Carter, Jeremy Steig, Herbie Hancock, Tony Williams, Al Foster, Chick Corea, Eugenio Toussaint and Carli Muñoz.
Ambrosetti has worked with several American and European musicians in recordings and at jazz festivals and concerts, including Kenny Clarke, Dexter Gordon, Phil Woods, Cannonball Adderley, Joe Henderson, Michael Brecker, Mike Stern, Hal Galper and Romano Mussolini.
In 1988, Grażyna moved to the United States, where she has performed with Michał Urbaniak and Urszula Dudziak, and many other leading jazz musicians, including Jim Hall, Michael Brecker, Randy Brecker, John Medeski, Patricia Barber, Paul Wertico, Bobby Enriquez, Terry Callier, John McLean, Kurt Rosenwinkel and Robert Irving III.
They included Michael Brecker (tenor sax) and Randy Brecker (trumpet) - who had played on the Remote album - as well as guitarist Mike Stern (sidesman with Miles Davis), drummer Danny Gottlieb (Pat Metheny) and saxophonist Tommy Smith.
With those early recordings and other projects, Tropea formed close musical alliances with other leading New York musicians including David Spinozza, Warren Bernhardt, David Sanborn, Randy Brecker, Michael Brecker, Steve Gadd, Anthony Jackson, Don Grolnick, and Richard Tee.
As an honors student there, Ballantyne was asked to play in small group formats with visiting artists Elvin Jones, Ron Carter, Joe Henderson, Nat Adderley, Michael Brecker, Emily Remler, Bob Mintzer and Peter Erskine.
Since the 1980s she has been active on the jazz scene as a singer, performing and collaborating with, among others, Huw Warren, Kenny Wheeler, Ralph Towner, Joe Zawinul, Michael Brecker, Steve Turre, and the Art Ensemble of Chicago.
The first line-up of Steps in the period 1979-1981, as can be read on the live album Smokin' in the Pit, consisted of Michael Brecker (tenor sax), Steve Gadd (drums), Eddie Gomez (bass), Don Grolnick (piano), Mike Mainieri (vibraphone), and special guest Kazumi Watanabe (guitar).
Orchestra has played with many famous jazz musicians such as Dizzy Gillespie, Gil Evans, Mercer Ellington, McCoy Tyner, Maria Schneider, Michael Brecker, John Scofield and Lenny Pickett.
Leading the way to demonstrate the virtuosic potential of this new arsenal of MIDI technology on the world stage through extensive touring and big-label recordings were guitarist Pat Metheny playing the guitar synthesizer and saxophonist Michael Brecker playing the wind controller, each leading their own bands.