In February 2011, the band participated in the 61st Sanremo Music Festival, placing second in the Big Artists Section with their entry "Arriverà", a duet with Italian singer Emma.
Andrea Moda owner Andrea Sassetti believed that he did not have to pay the $100,000 fee for new teams, as he had purchased an existing team (Footwork and Fondmetal had not had to pay this fee when they purchased Arrows and Osella respectively the previous year), but officials decided that he had purchased Coloni's cars but not its entry, leading to the exclusion.
Among his experiences: a promo appearance in Tema for La7, "Vivere" and "Emporio per vivere" always as appearance; dubbing Sting for TV MODA on Rete 4; parts in the "Armadillo magazine" broadcast on Odeon TV; he also co-presented "Il programma del Capitano" (The Captain's program) with Francesco Facchinetti on RTL 102.5 TV; he posted for three services (created and played by him) in Le Iene on Italia 1 and Veejay on Match Music.
It was based on a novel Belli Moda, by the acclaimed Kannada writer Triveni.
Rivero's modeling career boomed, being the face of both national and international companies such as Nike, TOMS Shoes, Agatha Ruíz de la Padra, La Casa de las Botas, Sweet Victorian, Todo Moda, 47 Street and Roho.
Along with the Cathedral of the Holy Spirit (1846) in the Harbiye district, St. Louis of the French (1581) and Santa Maria Draperis in Beyoğlu, Sts. Peter and Paul (1841) in Galata, Assumption Church in the Moda quarter of Kadıköy, St. Stephen in Yeşilköy and Bakırköy Church in Bakırköy, St. Anthony of Padua is one of the most important Catholic churches in Istanbul, and among them has the largest community following its Masses.
There is a small, attractive theatre in Moda named Oyun Atölyesi, founded by the former (BBC soap opera) EastEnders actor Haluk Bilginer.
"King of ska e Supereroi", a single from the album Into the Darkness, Into the Moda, became the theme for the TV program Le Iene.
In 1968 he returns to Italy in his atelier at via Gregoriana in Rome, where he showed his collections during the fashion calendar organized by the Camera Nazionale dell’Alta Moda and, in the same year, he draws costumes for Silvana Mangano and Terence Stamp for Pier Paolo Pasolini’s movie “Teorema”.
•
With the exhibition “Roberto Capucci l’Arte Nella Moda - Volume, Colore e Metodo” in 1990 at Palazzo Strozzi in Florence, his explosive season began with big praise of critics and audiences in the most important museum of the world, including Kunsthistorisches Museum (Wien), Nordiska Museet (Stockholm), Puskin Museum (Moscow), Museum of Art of Philadelphi