In the Museum of Broadcast Communications entry for Family Ties, Michael Saenz argues that few shows better demonstrate the resonance between collectively held fictional imagination and what cultural critic Raymond Williams called "the structure of feeling" of a historical moment than Family Ties.
It was originally scheduled to open in Spring 2005 and later in 2009, but its half-completed building was then slated to be sold due to lack of funds, which CEO Bruce DuMont blamed on lack of state funds.
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