In 2007, NFL Films came to Cumberland and filmed the entire week of Homecoming as well as the game itself.
The series used stock music cues, most of them also used by NFL Films, for its varied features, such as in coverage of the 1974 Daytona 500, which used a music cue that opened NFL Films' 1974 Pittsburgh Steelers season review film.
In 2010, he served on a "blue ribbon" panel assembled by NFL Films for the ten-part documentary series called The Top 100: NFL's Greatest Players.
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The Jets again finished with a record of 3–11, which combined with the departure of Holtz before the end of the season, prompted John Facenda to say about the Jets during the NFL Films highlight film for that season "Perhaps the best thing to say about the 1976 New York Jets season is that it's over".
Late in the fourth quarter the Vikings led 21–17 with the Niners at Minnesota's 49-yard line; Young escaped a sack and ran in the game-winning touchdown, earning applause from the same audience that had been booing him; the NFL Films clip with Lon Simmons' call of the score is among the most replayed in retrospectives on Young's career.
Anystream's Agility software has become a standard for streaming media encoding and broadcast transcoding for such media companies as BBC, Red Bee Media, BskyB, CNet, CNN, AOL, ESPN, Fox News, Foxsports.com, NFL Films, weather.com and others.
The ensuing 94-yard touchdown return was declared "Greatest Interception Return in NFL History" by Steve Sabol of NFL Films.
In the late 1980s, NFL Films named Scott as the Dolphins All-Time Neutralizer sponsored by Tums.
One play in Super Bowl IX also resulted in Gilliam colliding with then-NFL Films cameraman (later president) Steve Sabol.
The show started in 1984 as Monday Night Matchup with Chris Berman as host with Allie Sherman, former Giants coach, and Steve Sabol of NFL Films providing analysis.
In the late 1980s, NFL Films named Fischer as the Redskins All-Time Neutralizer sponsored by Tums.
The television network carrying the game (either CBS, Fox, or NBC) will usually devote the entire day's programming schedule to the game, with extended pregame shows, NFL Films retrospectives of the previous season, and special versions of the Sunday morning talk shows in the morning and afternoon hours leading into the game.
It has been used on numerous official NFL Films audio album soundtracks, most notably The Power & The Glory LP, featuring Facenda narrating over it, as well as numerous other Sam Spence-composed and conducted NFL Films Orchestra tracks.
The best-known version of the song is a cover version that was produced by Sam Spence, which has been featured in many NFL Films highlights videos and documentaries.
He graduated from the School of Visual Arts in 1981 with a degree in Cinematography and went to work for NFL Films as Director of the Entertainment Division, employing the off season American football cameramen to cover large multi-camera arena rock performances by artists such as Journey, Billy Squier, Cyndi Lauper, and Bruce Springsteen for major record labels and MTV.
In 1964, Blair Motion Pictures became NFL Films, with an exclusive deal to preserve NFL games on film.
Legend has it that when Raider owner and managing general partner Al Davis first heard "The Autumn Wind" song for the first time, he remained silent for a second before telling then NFL Films President Ed Sabol that he loved it, and that "it epitomized everything that the Raiders stood for".
Working with audio engineer David Robidoux, the two were instructed by NFL Films director Steve Sabol in 1994 to create a score for a TNT special titled, 75 Years: The History of the NFL.