A Wonder-Book for Girls and Boys (1852) is a children's book written by American author Nathaniel Hawthorne in which he rewrites myths from Greek mythology.
Nathaniel Hawthorne wrote in its praise: "Rowing our boat against the current, between wide meadows, we turn aside into the Assabeth. A more lovely stream than this, for a mile above its junction with the Concord, has never flowed on earth."
The Brothers Superchi also happen to be related to the renowned author, Nathaniel Hawthorne, as they are direct descendants of Nathaniel's great-great-grandfather, Judge John Hathorne.
In his Passages from the English Notebooks of 1876, Nathaniel Hawthorne commented that the church "has not exactly a venerable aspect, being too good in repair, and much restored in various parts".
In spending several chapters lamenting the state of the arts in America, he fails to envision the literary Renaissance that would shortly arrive in the form of such major writers as Edgar Allan Poe, Henry David Thoreau, Ralph Waldo Emerson, Herman Melville, Nathaniel Hawthorne and Walt Whitman.
His translations from English into Spanish include “With Borges” (by Alberto Manguel), “The Sandglass” (Romesh Gunesekera), “American Notebooks, a selection” (Nathaniel Hawthorne), “Lady Susan” (Jane Austen), and also a couple of anthologies as “New York short stories” (Edith Wharton, O. Henry, Thomas Wolfe, Dorothy Parker, etc.).
"Flutist" is the earlier term in the English language, dating from at least 1603 (the earliest quote cited by the Oxford English Dictionary), while "flautist" is not recorded before 1860, when it was used by Nathaniel Hawthorne in The Marble Faun.
During 1985, Perlman wrote two essays on Nathaniel Hawthorne, who Perlman regarded - along with Hawthorne's contemporaries
In Nathaniel Hawthorne's novel The Blithedale Romance a minor character who is mentioned in the background is a banker named Fauntleroy.
This may have been the first "infomercial", opening with a few words about Nathaniel Hawthorne before promoting the corporation's Nathaniel Hawthorne apartments.
The twelve authors carved into the sandstone are the last names of Homer, Henry Wadsworth Longfellow, Ralph Waldo Emerson, Virgil, Victor Hugo, William Shakespeare, Johann Wolfgang von Goethe, Robert Burns, Esaias Tegner, Alighieri Dante, Nathaniel Hawthorne, and George Bancroft.
An H. P. Lovecraft Encyclopedia cites Nathaniel Hawthorne's The Marble Faun and "The Great Stone Face" as influences.
Nathaniel Hawthorne wrote of the novel in an 1855 letter to William D. Ticknor: "What is the mystery of these innumerable editions of the Lamplighter, and other books neither better nor worse?"
Another reference is to Nathaniel Hawthorne's novel The Scarlet Letter when Elaine blames her boyfriend for condemning her because of the photo on her Christmas card: "Because it is not me that is exposed but you. For I have seen the nipple on your soul!"
The Snow-Image, and Other Twice-Told Tales was the final collection of short stories published by Nathaniel Hawthorne in his lifetime, appearing in 1852.
From left to right when one faces the building, they are Demosthenes (portico north side), Ralph Waldo Emerson, Washington Irving, Johann Wolfgang von Goethe, Benjamin Franklin, Thomas Babbington Macaulay, Nathaniel Hawthorne, Sir Walter Scott and Dante Alighieri (portico south side).
Almost reminiscent of Dr. Heidegger's Experiment by Nathaniel Hawthorne, each character is to some extent doomed to make the same mistakes they did before.
Next Nathaniel Hawthorne’s “Scarlet Letter” is represented by Hester Prynne and the Reverend Arthur Dimmesdale.
Nathaniel Hawthorne worked in the Custom House as surveyor for Salem from 1846–1849, and the introduction to his famous novel The Scarlet Letter is set there.
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The writer Nathaniel Hawthorne is undoubtedly the most famous name associated with Salem customs, and he served as surveyor from 1846 to 1849.
When She Woke is a reimagining of Nathaniel Hawthorne's The Scarlet Letter, set in a future dystopian and theocratic America where rather than imprisonment and rehabilitation, punishment for a crime consists of being "chromed" - having the skin color genetically altered based on the crime they committed - and released into the general population.
Nathaniel Hawthorne | Nathaniel Lyon | Nathaniel P. Banks | Nigel Hawthorne | Nathaniel Bowditch | Hawthorne | Nathaniel Philbrick | Nathaniel Dance | Nathaniel Westlake | Nathaniel Rosen | Nathaniel Wallich | Nathaniel Parker Willis | Nathaniel Lardner | Nathaniel Kahn | Mike Hawthorne | Mayer Hawthorne | Nathaniel Peabody Rogers | Nathaniel L. Carpenter | Nathaniel Kern | Nathaniel Heckford | Nathaniel Greene | Nathaniel Bacon | Julian Hawthorne | Hawthorne Industrial Airport | William Hawthorne | Nathaniel W. Watkins | Nathaniel Wheeler | Nathaniel T. Oaks | Nathaniel Thayer | Nathaniel Stookey |
In July 1850, Abbott reviewed Hawthorne's The Scarlet Letter for the North American Review, declaring she liked the preface better than the tale.
Nathaniel Hawthorne described Dead Pearl Diver as an important work of the protagonist, Kenyon, in his novel The Marble Faun, acknowledging his debt to Akers in the introduction.
The Marquis de Sade noted that he found his 1775 journey to the crypt was worth the effort, and Nathaniel Hawthorne noted its grotesque nature in his 1860 novel The Marble Faun.
Fourier's views inspired the founding of the community of Utopia, Ohio; La Reunion near present-day Dallas, Texas; the North American Phalanx in Red Bank, New Jersey; Brook Farm in West Roxbury, Massachusetts (where Nathaniel Hawthorne was one of the founders); the Community Place and Sodus Bay Phalanx in New York State, and several other communities in the United States.
More than one hundred years later Henry Wadsworth Longfellow (poem, "The Battle of Lovells Pond"), Nathaniel Hawthorne (story, "Roger Malvin's Burial") and Henry David Thoreau all wrote about Lovewell's Fight.
The connection was to last for her whole lifetime, during which she contributed well over 100 articles, including, a critique of the character of Arthur Dimmesdale in Nathaniel Hawthorne's The Scarlet Letter.
In Nathaniel Hawthorne's 1844 story “Rappaccini's Daughter”, the title character Beatrice Rappaccini is suffused with poison by her botanist father's scientific experiments.
Peter Schlemihl and his lost shadow are mentioned in Nathaniel Hawthorne's 1844 short story, "The Intelligence Office" (in Mosses from an Old Manse).
The book traces the Adamic theme in the writings of Emerson, Thoreau, Hawthorne, Melville, Henry James, and others, and in an Epilogue, Lewis exposes its continuing spirit in the works of F. Scott Fitzgerald, William Faulkner, Ralph Ellison, J. D. Salinger, and Saul Bellow.
Among his other noteworthy portraits are Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, Nathaniel Hawthorne, George Eliot, John Greenleaf Whittier, Walt Whitman, Emanuel Swedenborg and a self-portrait after a W.H.W. Bicknell photograph.
The 210 acre Tanglewood estate was gifted to the Boston Symphony Orchestra in 1936 by Mary Aspinwall Tappan (descendant of Chinese merchant William F. Sturgis and abolitionist Lewis Tappan.) The estate was named after a book by American author Nathaniel Hawthorne.
The Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne, and was published in 1860.
Flora's Feast, A Masque of Flowers had lithographic reproductions of Crane's line drawings washed in with watercolour; he also decorated in colour The Wonder Book of Nathaniel Hawthorne, and Margaret Deland's Old Garden.
Murphy asserts that both film belong to a tradition of "Rural Gothic" horror fiction that can be traced back to Young Goodman Brown (1835) by Nathaniel Hawthorne.