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In 1891, with Mogulesko, Kessler, and Adler all engaged in starting the Union Theater, Moishe Finkel brought the still relatively unknown Thomashefsky back to New York to star at his National Theater, where Thomashefsky became such an enormous popular success in Moses Halevy Horowitz's operetta David ben Jesse as to force the Union Theater temporarily to abandon its highbrow programming and compete head on.
Among his works are the Paulus Church at Grünerløkka in Oslo, the National Theater, the Historical Museum in Oslo, and the Government Building.
Her 2004 bestselling novel Mazu's Bodyguards was adapted into a musical, presented at the National Theater in Taipei in December 2009.
Her last appearance on stage was in October of the previous year playing Mrs. Schenck in Crane Wilbur's play, Easy Terms at New York's National Theater.
The PS had its headquarters in Bucharest, at the Socialist Club on Sfântul Ionică Street No.12, near the old National Theater (located just north of University Square, the street is currently a section of Ion Câmpineanu Street, after the latter was rerouted).
From there a career blossomed that took him to sing in many theaters throughout Italy, including Florence (National Theater), Milan, Bari and Pisa.
She was among the founders of the Persian National Theater in Tehran.
He then emigrated to America, where he played from 1913-1917 in Philadelphia, and then a year in New York's Yidishe kunst teater (Jewish art theater) and then in Boris Thomashevsky's National Theater and then Kessler's Second Avenue Theater and the Public Theater.
Bosnian National Theater Zenica is a theater institution in Zenica, Bosnia and Herzegovina and it was founded in 1950.
Amongst his performances in the 2008/2009 season were role debuts as the Duke of Mantua in Rigoletto at the Croatian National Theater, and as Don Ottavio in Don Giovanni at the Teatre de La Farándula in Sabadell.
He soon starts the translation in modern Greek iambic verse of Sophocles' Oedipus Rex and chooses one of Greece's greatest actors, Aimilios Veakis, whose memorable performance as King Lear at the Royal (National) Theater of Greece in 1938 has remained indelibly written in the history of 20th century Greek theater, to appear in the homonymous role.
He composed an opera Music for the Living, in collaboration with Rustaveli director Robert Sturua, and in December 1999, the opera was restaged for the Deutsches National Theater in Weimar.
W. B. Yeats, Lady Gregory and Edward Martyn published a "Manifesto for Irish Literary Theatre" in 1897, in which they proclaimed their intention of establishing a national theater for Ireland.
Since its inception, the program has been a mainstay of the Panasonic Drama Theater (formerly known as the National Theater), sponsored by Panasonic.
After graduating from Colorado State University, he attended Denver's National Theater Conservatory, graduating with a Master's of Fine Arts.
The name stuck when performers from the Hungarian National Theater visited it, where they performed Vincenzo Bellini's Norma.
With his godfather Predrag Miletić, actor of the National Theater, he has traveled for several years in a row with a bike to the monastery Hilandar on Mount Athos in Greece.
Themis Panou is a Greek actor best known for his acting with the National Theater of Greece as well as his starring role in the film Miss Violence directed by Alexander Avranas.
He made his professional debut in 1998 in DECAMERON (an adaptation of Giovanni Boccaccio’s masterpiece) and played one of the lead roles in a production of the Macedonian National Theater of Bitola as part of The Ohrid Summer Festival.
Ms. Torikai has received commissions from Ensemble Modern (Frankfurt), the Modern Art Sextet Berlin, the Kronos Quartet, the Ensemble Continuum (New York), the Canadian Electronic Ensemble, the City of Los Angeles, the Japan Broadcasting Corporation, and Japan National Theater, to name only a few.
The director of the film is Napoleon Helmis (born in 1969, Topana); he graduated from the National Theater and Film's Art University in Bucharest in 1996, where he currently teaches film direction.
Even before finishing her education, she performed in her first complete opera, in the role of Violetta in Verdi's La traviata, at the National Theater of Seoul in 1977, and in 1978 she performed the role of Mimi in Puccini's La Bohème, at the Sejong Cultural Center in Seoul.
He trained at the National Theater School of Canada but left in 1969 before graduation due to disagreement over the notion of creation the School had toward Quebec theater, along with classmates Pierre Curzi, Paule Baillargeon and Gilbert Sicotte.