He also acknowledged the gulf between those who revered the School of New York and those who embraced the un-painterly successors to Mark Rothko and Morris Louis, those artists who seemed to represent a repudiation of Abstract Expressionism.
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He continued his association with the New York School poets and the St. Mark's Poetry Project for several years, and moved to San Francisco in 1976, where through Benson and Robinson he met other writers—such as Rae Armantrout, Carla Harryman, Lyn Hejinian, Tom Mandel, Ted Pearson, Bob Perelman, Ron Silliman, and Barrett Watten -- who would soon become known as the San Francisco Language poets.
He painted in the "New York School" style, along with several of his contemporaries, including Franz Kline (1910–1962), Joan Mitchell (1925–1992), Jean-Paul Riopelle, William Baziotes (1910–1963), and Jackson Pollock (1912–1956).
During the Depression Era, Tworkov met Willem de Kooning, among others, and together with a group of abstract expressionists including Arshile Gorky, Mark Rothko and Jackson Pollock, founded the New York School.
The New York School was also having its impact during that time and Merton Simpson came in close contact with Franz Kline, Max Weber and Willem de Kooning at the frame shop.
It had been the Korman Gallery, a cooperative that included the painters Pat Adams and Clinton Hill (a New York School artist).
In 1977, Slifka became the founding chairman of the New York School for Circus Arts, a non-profit training school whose performing arm is the Big Apple Circus.
Winona Cargile Alexander (1893-1984), a founder of Delta Sigma Theta, in 1915 was the first African American accepted to the New York School of Philanthropy.
Pène du Bois began his artistic training in 1899, when he enrolled in the New York School of Art to study under the painter William Merritt Chase.
Following the death of Ford in 1939, Biala returned to New York where she became one of the few women associated with the New York School befriending painter Willem de Kooning and critic Harold Rosenberg among others.
Baer's work of the late 1950s emulated paintings by members of the New York School, particularly Arshile Gorky, Robert Motherwell, Clyfford Still, and Mark Rothko.
She is the author of Surrealism in Exile and the Beginning of the New York School (MIT Press, Cambridge, Massachusetts, 1995) and surveys on artists such as Roberto Matta.
Traveling frequently to New York City, Berssenbrugge became engaged in the rich cultural flourishing of the abstract art movement, and was influenced by New York School poets John Ashbery, Barbara Guest, James Schuyler and Anne Waldman, and then the Language poets, including Charles Bernstein, as well as artist Susan Bee.
His most direct influence in the English speaking world was on the New York School of poets; John Ashbery, Harry Mathews, James Schuyler, and Kenneth Koch briefly edited a magazine called Locus Solus after his novel.
He also served on the advisory committees of Mount Vernon Estate and Gardens and Winterthur Museum & Country Estate, and was an Honorary Trustee of the National Building Museum and a Trustee of the New York School of Interior Design.