Bologna’s bishop Niccolò Albergati had already stated the importance of this very tavern, also used as the only
Niccolò Machiavelli | Niccolò Paganini | Niccolò Jommelli | Niccolò Ammaniti | Niccolo Jommelli | Niccolò da Tolentino | Giovanni Niccolò Servandoni | Niccolò Zucchi | Niccolò Tommaseo | Niccolò Piccinino | Niccolò Ludovisi | Niccolo Tommaseo | Niccolo Rondinelli | Niccolò Rinaldi | Niccolò Piccinni | Niccolò Pandolfini | Niccolò Orlandini | Niccolò Machiavelli | Niccolò III d'Este, Marquis of Ferrara | Niccolò III d'Este | Niccolò Fontana Tartaglia | Niccolò di Segna | Niccolò di Pietro Gerini | Niccolò dell'Abbate | Niccolò de' Conti | Niccolò Cassana | Niccolò Albergati | Equestrian Statue of Niccolò da Tolentino |
Pozzi worked primarily for Roman churches, painting, for example, the Blessed Niccolò Albergati in a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows (c. 1736) for San Silvestro al Quirinale (Titi 1763); the refectory of the Church of San Gregorio Nazareno; a Death of St Joseph (1742) for the third chapel of the Church of Santissimo Nome di Maria (Titi 1763).