Norman | Norman Mailer | Norman architecture | Norman conquest of England | Anglo-Norman | Norman Rockwell | Norman, Oklahoma | Norman Lear | Greg Norman | Jessye Norman | Norman Jewison | Norman Wisdom | Britten-Norman Islander | Norman Foster | Norman Whitfield | Norman Tebbit | Norman Schwarzkopf, Jr. | Norman McLaren | Norman Davies | Anglo-Norman language | Norman Tindale | Norman Thomas | Norman Lamont | Norman Kretzmann | Norman Greenbaum | Norman Foster, Baron Foster of Thames Bank | Norman Finkelstein | Larry Norman | Phyllis Treigle | Norman Kittson |
The "professional" American premiere took place on September 29, 1960, at the New York City Center, where the cast included Norman Treigle, Richard Cassilly and Anne McKnight; Leopold Stokowski conducted Christopher West's production.
She made her official debut, in the title role of Carmen, on September 8, 1955, with the Experimental Opera Theatre of America/New Orleans Opera Association, with Norman Treigle in his first Escamillo, conducted by Renato Cellini, and directed by Armando Agnini.
He began his tenure with the New York City Opera in 1966, where he appeared regularly until 1972, in Tosca (with Sherrill Milnes as Scarpia), Carmen (opposite Huguette Tourangeau), Gianni Schicchi (with Norman Treigle and Beverly Sills), Der Rosenkavalier (with Elisabeth Grümmer), La traviata, Bomarzo (in its New York premiere), Lucia di Lammermoor (with Sills), Don Rodrigo (of Ginastera), and Mefistofele (with Treigle).
Notable singers to have performed at the festival include Rose Bampton, Muriel Costa-Greenspon, Brenda Lewis, Mildred Miller, Beverly Sills, Joan Sutherland, Norman Treigle, Richard Tucker, and Frances Yeend among others.