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For nearly 50 years, Parseghian has defended his end-of-the-game strategy, which left many fans feeling disappointed at the game not having some sort of resolution, Michigan State fans and other Notre Dame detractors calling him a coward, and college football expert Dan Jenkins leading off his article for Sports Illustrated by saying Parseghian chose to "Tie one for the Gipper."
It included the tune "Parisian Pierrot," sung by Gertrude Lawrence, which proved to be Coward's first big hit and one of his signature tunes.
Derrida and Negative Theology, ed H. G Coward, SUNY 1992.
In 2008, Geus published a collection of essays critical of Islam entitled Gegen die feige Neutralität ("Against coward neutrality") with contributions by a number of German academics and journalists, including Karl Doehring, Ralph Giordano, Michael Miersch and Tilman Nagel.
From the 1920s, he produced musical revues and spectaculars in competition with André Charlot, and collaborated regularly with Noël Coward to produce Coward's famous plays and musical comedies.
In 2003 Coward was further commemorated with the mounting of a blue plaque at his home at 133 Chichester Road, Edmonton, London, where he lived from 1945 until his death.
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In December 1944 Coward was sent back to the main camp of Stalag VIII-B at Lamsdorf (now Łambinowice, Poland) and in January 1945, the POWs were marched under guard to Bavaria, where they were eventually liberated.
Coward was then sent into Queensland as detective in the manhunt for the bushranger Frank Gardiner.
In 1960 she briefly returned to the stage in Noël Coward's Waiting in the Wings, later appearing in the London production of Coward's musical Sail Away at the Savoy Theatre in 1962 (and is featured on the cast album).
Over the course of her career, Evans worked for several publishing firms and literary agencies, including Coward-McCann and Lippincott (now Lippincott Williams & Wilkins).
He was best known for the songs "Some Coward Closed the Old Howard," a humorous paean to Boston's famous vaudeville house The Old Howard, and "Vote Early and Often for Curley," a reelection campaign song for Boston Mayor James Michael Curley.
In 2008, Barrie was cast as Noël Coward in the original London production of Lunch with Marlene, a play about the friendship between Coward and fellow acting legend Marlene Dietrich.
While attending Pershing High School, he achieved local hits in 1963 and 1964: "Out of This World" and "Gino Is a Coward".
The samples of the menacing voice saying "Beware, I live!", "I hunger", "Run, coward!", and "Beware, coward!" in the song "Grand Ol' Party Crash" are from the 1982 arcade game Sinistar.
Coward turned up for the audition looking so much like a hillbilly that director John Boorman, who had trouble finding an actor for the part, thought Reynolds had told him what to wear.
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Coward got the role as the murderous toothless mountain man in Deliverance when Burt Reynolds remembered him from working together at the park early in his career.
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Coward began acting in the Wild West amusement park Ghost Town in the Sky in Maggie Valley, North Carolina.
It originated in Coward's 1929 operetta Bitter Sweet, however soon emerged as a standard in its own right and became one of Coward's best known compositions.
She also starred in Coward's revue Words and Music As a lyricist, she wrote additional songs for The Street Singer, and for The Blue Train, the London musical by Reginald Arkell, Dion Titheradge and Robert Stolz.
She spent 3 years at the Glasgow Citizens' Theatre, playing Principal Boy in their traditional pantomimes, and performing in Noel Coward's "Semi-Monde" directed by Philip Prowse.
During the run of The Vortex by Noël Coward in 1924, Wilson met Coward and soon became his business manager and lover.
He was the eldest son of Joseph Sidebotham and Anne Coward of Bowdon, Cheshire.
After the war she played in new Coward plays, Quadrille (with Alfred Lunt and Lynn Fontanne) and Nude with Violin (with Gielgud in London and Coward in New York).
The film follows the journey of a kamikaze pilot named Kyuzo Miyabe, a man described as a coward yet volunteered to die for his country.
His early credits included the bassline on Gino Washington's "Gino Is a Coward" and vocals on J.J. Barnes' "Lonely No More" at Mickay's Records.
Responding to claims that he was a coward and had become effeminate, Kicking Bird assembled a war party and invited some of his chief critics and worst tormentors to participate - Lone Wolf, White Horse, and Satank.
The basis of London Calling! began at the Swiss resort of Davos in Christmas 1922, when Coward presented a musical outline of a new project involving himself and Lawrence, to benefactor, Edward William Bootle Wilbraham, 3rd Earl of Lathom, who was also a friend of André Charlot.
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London Calling! was a musical revue, produced by André Charlot with music and lyrics by Noël Coward, which opened at London's Duke of York's Theatre on 4 September 1923.
First and foremost a stage actor, Greenstreet played many of the great leading roles from the works of Shakespeare, Chekhov and Ibsen to Orton, Wilde and Coward in the UK and around the world in the 1980s and 1990s.
In 2003 he was the subject of a lot of nationwide attention after he slapped the chin of his political opponent Torgeir Micaelsen of the Labour Party at the end of a school debate in Drammen because Micaelsen, during the debate and in front of the public, had called him a coward.
Hugh Anderson, the son of a wealthy Bell County, Texas cattle rancher, also entered, and approached McCluskie, calling him a coward and threatening his life.
After a tour beginning at the Olympia Theatre, Dublin on 24 September 1956, the play opened on 8 November 1956 at the Globe Theatre in London's West End, starring John Gielgud, co-directed by Gielgud and Coward.
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In Coward's centenary year, 1999, the play was mounted at the Royal Exchange, Manchester, starring Derek Griffiths as Sebastien, Marcia Warren as the hoaxer's widow, Tamzin Malleson as his forthright daughter, and Nick Caldecott as the young journalist.
A Coward revue at the 1968 Vancouver International Festival called And Now Noël Coward…: An Agreeable Impertinence, was created and directed by Roderick Cook and starred Dorothy Loudon.
The album was credited to "Various Artists" rather than to Costello because the tracks were recorded and credited under a variety of names, including The Costello Show, Elvis Costello and the Attractions, Elvis Costello and the Confederates, the Coward Brothers, Napoleon Dynamite, The Emotional Toothpaste and The MacManus Gang, and with a variety of collaborators, including Jimmy Cliff, Nick Lowe and T-Bone Burnett.
Parrish's other notable recording, mixing and engineering achievements include: The Story by Brandi Carlile, Moonalice, Mixing Front of House and live sound recordings for Randy Newman, Jon Brion, GE Smith, Hot Tuna, The Coward Brothers with Elvis Costello and T-Bone Burnett; Neko Case live with T-Bone Burnett, John Cougar Mellencamp, and Doyle Bramhall II.
The critical response to the film was not good, with the reviewer for Yank magazine saying that the film was "not about The War, but about Hollywood's War," and other reviewers comparing it to In Which We Serve, the 1942 British naval film written by and starring Noël Coward and directed by Coward and David Lean, with the earlier film being deemed superior.
He was well received for his role in the play Hot Mikado by the Bexley Times which wrote, "In a good cast, Stuart Draper shone brightest as the Lord High Executioner Ko-Ko, a blustering, avaricious coward in a pink suit who would have given Rik Mayall or Alexi Sayle a run for their money in the comedy stakes.".
In October 2012, in a published interview with Auerbach, champion boxer Mike Tyson revealed for the first time that he viewed himself as a coward.
Cleonymus: A supporter of Cleon, he is immortalized in later plays as the coward who threw away his shield at the Battle of Delium in 424 BCE (soon after The Acharnians was produced).
Coward departed for Paris to meet Jean Giraudoux, who wanted the playwright to set up a Bureau of Propaganda and serve as a liaison with the Commissariat d'Information.
It is the third film spin-off from the TV series Up Pompeii! (the previous film being Up the Chastity Belt set in the Middle Ages which followed on from the "Up Pompeii" film), directed by Bob Kellett, it stars Frankie Howerd as Lurk (a descendant of the slave Lurcio in Up Pompeii), a coward who is hypnotised into bravery.