He is mainly noted for having written about Léonin and Pérotin, thereby assigning names to two of the composers of the music of the Notre Dame school who otherwise would have been anonymous; Léonin and Pérotin are among the earliest European composers whose names are actually known.
The ensemble has also reached outside these areas to perform very early music (organa by the twelfth-century French composer Perotinus) and very recent music (new works by the Australian Elliott Gyger).
The only composers whose names have come down to us from this time are Léonin and Pérotin.
Pérotin |
The two wind quintets (Chants en contrepoints from 1962 and Réflexions sur le jour où Pérotin le Grand ressuscitera from 1969) were both written for the Danzi Quintet, and Bois also wrote solo pieces for some of the members of this well-known ensemble: flutist Frans Vester (Muziek for solo flute, 1961), oboist Koen van Slogteren (Beams, for oboe and piano, 1979), and clarinetist Piet Honingh (Vertiges, 1987).