White-label Charter test pressings of the original concept album exist though, and most of the songs thereon found their way onto subsequent albums, with the remaining material such as the country remake version of Dark Moon and Ned Miller's Lucky Star being featured in a 1972 Paramount Records double-album compilation of her work.
Most of the early issues were from masters recorded by Paramount Records.
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The New York Recording Laboratories were owned by the Wisconsin Chair Company, also the parent of Paramount Records.
His subsequent on-air appearance brought a call from Paramount Records, which had offices in Chicago.
At present Van Rijn is working with Alex van der Tuuk on a four-part discography of the Paramount blues label.
Columbia Records | Paramount Pictures | Guinness World Records | Atlantic Records | Decca Records | Mercury Records | Warner Bros. Records | Epic Records | RCA Records | Capitol Records | MCA Records | Virgin Records | Arista Records | Island Records | Elektra Records | Universal Records | Stax Records | Geffen Records | A&M Records | Reprise Records | Naxos Records | Polydor Records | Philips Records | London Records | Interscope Records | Rise Records | Liberty Records | Blue Note Records | Roadrunner Records | MGM Records |
The first Audition Records, with no connection to the Audition Records based in Berlin, was sold in October 1959 by Enoch Light to ABC-Paramount Records.
He agreed, and thus began an association that led to their joining a new record label being headed by Sam Clark as president: ABC-Paramount Records.
Ralph Peer directed him through several sessions for Okeh and Victor, and he freelanced on other labels such as Edison, Gennett and Paramount Records.
In March 1930, Wiley recorded "Last Kind Word Blues" and "Skinny Leg Blues" for Paramount Records in Grafton, Wisconsin.
In 1926, through selling blues records in his store, he began working as a scout for the record companies producing the records, such as Okeh, Victor, Gennett, Columbia, Vocalion, Decca and Paramount.
Most of these latter sides were made under the names of Synco Jazz Band (49 recordings during 1919-1922, mainly for Pathé but also for Columbia and Grey Gull), Joseph Samuels' Jazz Band (40 recordings during 1920-23, mainly for Okeh but also for Paramount) and Tampa Blue Jazz Band (31 recordings for Okeh during 1921-1923).