His work as Technical Director of the Decca Record Company Ltd. caused him to be nicknamed "the father of hi-fi".
A record with some of Frank Skinner’s music from the movie was released by Decca Records in May 1956.
The next release, "Bring My Cadillac Back", was a local hit and was picked up for national distribution by Decca Records, but radio stations refused to play it as it served as unpaid advertising for Cadillac cars.
In 1937, Turner recorded six songs (possibly with Hogg as second guitarist) for Chicago's Decca Records in Dallas, including the blues song "Black Ace".
His famous Decca Das Lied von der Erde with Kathleen Ferrier, Julius Patzak, and the Vienna Philharmonic was made in May, 1952, and he recorded it again in studio with the New York Philharmonic in 1960.
Jordan recorded numerous singles for Vocalion and Decca between 1930 and 1937, and also performed with some well-regarded bluesmen from the 1920s to the 1940s.
Charlie signed with RCA Victor in 1946 and with Decca Records in 1950; he wrote and recorded a large body of material and continued to tour relentlessly until he announced his retirement in 1957.
In 1977, Garrie Lammin (Burge's cousin) joined in as second guitarist and the band secured a deal with Decca Records, who were hoping to cash in on the now blooming punk movement.
The Decca Company, a British gramophone manufacturer that, as Decca Records, released records under the Decca label, contributed to the British war effort during the Second World War.
By 1948 Zack had recorded his first record in 1951 and received a contract with Decca Records.
His tunes became hits in Germany, France, England, and America; his albums were released on Decca and MGM in the U.S. and Polydor which were distributed by Philips Electrical Industries Pty.
At the same time in West Africa (what became Nigeria and Ghana, specifically) EMI was recording and releasing Sakara, Juju and Apala music on 78rpm discs in the Parlophone B, HMV JL, HMV JZ and Decca WA/GWA/NGA series (1947–52), as well as HMV owned local labels, such as Ghana's Taymani Special.
After several recordings of Mozart, Haydn and Beethoven with the Gürzenich for a French subscription collection in the mid-1950s, he made no studio recordings for nearly two decades with the exception of an appearance with the Vienna Philharmonic Orchestra on Decca Records, accompanying Wilhelm Backhaus in Robert Schumann's Piano Concerto (his only recording with that orchestra).
In 1926, through selling blues records in his store, he began working as a scout for the record companies producing the records, such as Okeh, Victor, Gennett, Columbia, Vocalion, Decca and Paramount.
Due to cash problems, the company was taken over by British Decca in 1957, though with Usill remaining as Managing Director, and being given pretty much full autonomy to run the record label as he wished.
The third Haley recording made for the film, "Whoa Mabel", has not surfaced as of 2011 (like the other two it is not the same recording as released by Haley on Decca Records).
The single's failure to rise no higher than #33 is attributable to a strike at the Decca processing plant, which stopped the pressing of discs.
He became a director and major shareholder of the new Decca record label.
He then signed with Decca Records, and his single "Ruby Pearl" sold well and nearly hit the Billboard charts, but his manager let the Decca contract lapse, and the single fizzled before charting.
He signed with Decca and released his second single, "Ma Môme", in 1960 under the musical direction of Meys.
The second was recorded by Ethel Merman and Ray Bolger and released in 1954 by Decca and incorporates the tale about the lake's name according to Daly.
He made his first recordings for Decca Records in the early 1950s, in a romantic ballad style which was compared to that of David Whitfield and Ronnie Hilton.
The "208" shows on Luxembourg were mainly fifteen minutes to thirty minutes in length and presented under names such as the Decca Records Show or the Capitol Records Show.
(A sound no longer heard since welded rail joins were introduced.) "Trains" was released as a 78 and 45 by English Decca Records (F 5278) which remained on catalogue into the 1970s.
In 1948 he signed with Mercury Records where he recorded a number of successful country music albums until 1952, when he switched to the Decca label where he continued to make records into the 1970s.
In 1937 Smokey and Black Ace were brought to Chicago, Illinois by Decca Records to record, and Smokey had his first gramophone record ("Family Trouble Blues"/"Kind Hearted Blues") released, as by Andrew Hogg.
Under the Decca label, the Concerto for Two Pianos by Poulenc was recorded in collaboration with Pascal Rogé and the New Philharmonia of London, conducted by Charles Dutoit.
In 1968 they travelled to London twice, receiving offers from both EMI and Decca.
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Other labels the orchestra has recorded for include Argo, Capriccio Records, Chandos Records, Decca Records, EMI, Hänssler Classic, Philips Records, and Hyperion Records.
Starting in around 1950, Steinweiss did the covers and record label for Remington, and began a more than 20 year association with both Decca and London Records.
He has recorded with only three record companies: Vox Records, DECCA and Philips.
Magnante was featured as accordion soloist on more than two dozen albums (many with studio orchestras), released by Columbia, Grand Award, Command Records, Decca Records, and other record labels.
The Prague Philharmonic Orchestra works with labels such as Decca, EMI, Sony BMG and many international film studios.
Members of the group have claimed that originally, the Moodies' British label, Decca Records, had wanted them to record a rock based on Dvořák's New World Symphony for the newly formed Deram Records division in order to demonstrate their latest recording techniques, which were named "Deramic Sound."
Coates made a number of 78 rpm recordings of his music, initially for The British Columbia label and then for Decca Records (released in the U.S. on the London Records label).
In 1979, Ella Fitzgerald recorded a seven-minute-plus rendering that can be found on the Pablo release Digital III at Montreux while an earlier Ella version (with Vic Schoen and his Orchestra) is included on the Decca release Lullabies of Birdland.
In Die Walküre and Siegfried he was recorded in Decca's famous Ring Cycle in the early 1960s, conducted by Georg Solti and produced by John Culshaw.
Jack Kapp (June 15, 1901 – March 25, 1949) was a record company executive with Brunswick Records who founded the American Decca Records in 1934 along with British Decca founder Edward Lewis and later American Decca head Milton Rackmil.
She succeeded in reaching the popularity charts only in 1951 with three recordings she made for Decca Records.
Notable recordings include many of Britten's works and Mahler's Eighth Symphony under Sir Georg Solti on Decca, and Vaughan Williams' vocal works under Sir David Willcocks and the Choir of King's College, Cambridge for EMI.
They were signed to Decca Records at the end of that year, and in 1965 released several singles, including "No Good Without You Baby" and "Leaving Here", after a name change from The Thunderbirds to The Birds.
She was a staff writer for several major music publishing companies in Nashville including: Owen Bradley of Decca Records, Tree Music, Frank and Nancy Music, Frank Sinatra, Tammy Wynette's company, First Lady Music and Resaca Music, Kris Kristofferson, President.
The label usually licensed (or leased) recordings made by Decca Records, England for the release in the USA and Canada, most notably by The Zombies, Tom Jones, Engelbert Humperdinck, Them, Jonathan King, Hedgehoppers Anonymous, Lulu, Bobby "Boris" Pickett (reissued from Garpax), Savoy Brown, Alan Price, Love Sculpture (reissued from EMI) and Frijid Pink.
After working briefly for Decca Records, he worked for Mitch Miller at Columbia Records, where he turned out dozens of albums and provided arrangements for many of the pop singers of the 1950s, including Tony Bennett, Doris Day, Johnny Mathis for Mathis' 1958 Christmas album titled Merry Christmas, and Guy Mitchell for whom Faith wrote Mitchell's number one single, "My Heart Cries for You".
A recorded 1958 performance by the group at the Metropolitan Museum of Art, and featuring boy choristers of the Church of the Transfiguration as satraps and soldiers, was released by Decca, with sleeve notes by Paul Henry Lang and Dom Rembert Weakland, O.S.B., who had discovered the text at the British Library.
The orchestra has recorded more than 198 compact discs for many Polish and foreign labels (Decca, EMI, Phillips, etc.) and made numerous archival recordings for the needs of Polish Radio.
Norvo recorded 8 modern swing sides for Columbia in 1934–1935, and 15 sides of Decca and their short-lived Champion label series in 1936 (strangely enough, Jack Kapp ran Decca, so they must've patched things up by then).
In addition to his Decca recordings with the Quintetto Chigiano (see article for listing), in maturity he also recorded the Brahms violin sonatas with the pianist Piernarciso Masi.
Amongst the most well regarded, and subsequently collectable, were those from Island Records, CBS, Decca Records, Liberty Records, Vertigo Records and Harvest Records.
From 1949 she recorded with Regal, RCA Victor and Decca Records, recording the original version of "Shake A Hand", later a big hit for Faye Adams, and also recording with the Ray Charles Singers.
The Selah Jubilee Singers first recorded on April 28, 1938 for Decca, a session which included popular songs such as "Take My Hand, Precious Lord" (DE 7598), and in February 1941, "I'll Fly Away" (DE 7831).
He worked in the music industry for several years, first in the quality control department of Decca Records listening to output that ranged from medieval classical music to Chubby Checker, after four years becoming assistant producer to Tony D'Amato, then briefly a record plugger for Pye Records.
Lewis toured the U.S. with the band at various intervals between 1956 and 1959, and recorded extensively for Parlophone, Esquire, Decca, and Philips.