The delicate, lightly corseted tea gowns of the turn of the 20th century echo the lines of late aesthetic dress, and in their turn paved the way for the early Art Deco creations of Paul Poiret.
It was operated in its last days by his widow, who presented her first well-regarded collection for the fashion house in 1955 and who worked with three of her husband's former associates: Catherine Brivet (who previously had worked for Paul Poiret, Jean Patou, Pierre Balmain, Coco Chanel, and Cristóbal Balenciaga), Pierrey Metthey, and Suzanne Renoult (a fabric expert who had worked for Lucien Lelong, Elsa Schiaparelli, and Gaston Worth).
In 1928 he opened the Contempora Studio with Rockwell Kent, Paul Poiret, Bruno Paul, and Erich Mendelsohn where he worked as a graphic artist and interior designer.
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Beginning in 1912, the her fashions were attractively illustrated in the fashion magazine La Gazette du Bon Ton with six other leading Paris designers of the day – Madeleine Chéruit, Georges Doeuillet, Jacques Doucet, Paul Poiret, Redfern & Sons, and the House of Worth.