Competition from Paul Whiteman's show on CBS Radio, however, brought Gibbons' show to an end by March 1930.
He was hired as a staff arranger for Irving Berlin's publishing company, where from 1932 to 1936 he made hundreds of stock arrangements for the leading dance bands of the day, including special arrangements for Raymond Scott and Paul Whiteman.
The initial issue was by Paul Whiteman's orchestra of which Busse was a member at the time.
It is difficult to overstate the importance of that event in the history of jazz in the United States — it was 12 years before the Paul Whiteman and George Gershwin concert at Aeolian Hall, and 26 years before Benny Goodman's famed concert at Carnegie Hall.
The farm had been previously owned by big band leader Paul Whiteman.
The McFarlan was a luxury automobile owned by celebrities of the day such as Wallace Reid, William Desmond Taylor, Fatty Arbuckle, Paul Whiteman, Jack Dempsey and Virginia governor E. Lee Trinkle.
The piece was composed by Grofé in 1925 and first performed in the summer of that year by Paul Whiteman's orchestra at the Hippodrome Theatre, New York City.
Thirteen years earlier, in 1940, Artie Shaw recorded "My Fantasy" (credited to composers Paul Whiteman, Jack Meskill, and Leo Edwards), which has a tune virtually identical to this dance.
Pope John Paul II | Paul McCartney | Paul Simon | Paul Newman | Pope Paul VI | St Paul's Cathedral | Paul | Jean-Paul Sartre | Peter Paul Rubens | Paul Robeson | Paul Anka | St. Paul | Paul Hindemith | Paul Revere | Paul Weller | Paul Klee | Saint Paul | Paul Kelly | Paul Cézanne | John Paul Jones | Paul Ryan | Paul Gauguin | Paul Oakenfold | Jean Paul Gaultier | Paul the Apostle | Paul Keating | Paul Auster | Pope John Paul I | Paul Martin | Paul Whiteman |
Upon his return to the U.S. he worked with Don Voorhees, Paul Whiteman, and Ben Pollack in the early 1930s, and later in the decade with Isham Jones (1935-36), Red McKenzie, Joe Marsala, Frankie Trumbauer (1937), and Bob Zurke (1939-40).
In 1929, he joined Paul Whiteman's Orchestra, and can be seen and heard in the movie The King of Jazz.
After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others.
Bix Beiderbecke performed the composition on piano accompanied by Roy Bargy and Lennie Hayton at Carnegie Hall on October 7, 1928 at a jazz concert presented by Paul Whiteman.
He worked with Paul Whiteman from 1926 to 1937, and also recorded in the same period with Frank Signorelli, Frankie Trumbauer, Bix Beiderbecke, and Mildred Bailey.
Among the celebrities who performed at the hotel during its heyday were Paul Whiteman, Bing Crosby, Red Nichols, and Milton Berle.
The plot concerns a village of Russian Gypsies, led by a caricature of jazz bandleader Paul Whiteman, generally singing, dancing and whooping it up, when the mad monk Rice-Puddin' (a caricature of Grigori Rasputin) casts his eye on one of the apparently underage girls in the village and has her abducted in an attempt to force himself upon her.
The partnership with Paul Whiteman led to Sack's hiring as the music director for the NBC Blue Network, where he worked on many shows including The Beulah Show and The Adventures of Maisie.