In her later years however, her style transformed and anticipated some of the early twentieth century impressionistic ideas, developed by her during her life, which ultimately led her to being appointed by the composer Pauline Hall as the first true Norwegian impressionist.
By 1880 she was working for Edward E. Rice, who cast her in several of his musical productions, giving her, among others, the trouser role of the hero Gabriel in a revival that year of Evangeline.
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