Art critic John Yau wrote of Saul's work in The Brooklyn Rail:
His orchestration of the intertwining, overlapping, cartoony figures could only have been done by someone who absorbed the all-over compositions of the Abstract Expressionists.
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The critic Holland Cotter in a 2008 New York Times review of a retrospective of his work called Saul "a classic artist’s artist, one of our few important practicing history painters and a serial offender in violation of good taste".
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