Founded by the Quebec government in 1944, it became the second North American music institution of higher learning to be entirely state-subsidized.
They are part of the néo-trad movement that appeared in Quebec around the turn of the 21st century, and they embody a resurgence of political songwriting (after the drought of the 1980s and parts of the 1990s, political songwriting had been a victim of Post-Referendum Syndrome).
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