His first works, Orto (Dawn, 1922) and Bazar (Bazaar, 1922), written following the principles of ultraism, along with Alcándara (Perch, 1935), connected him to the postmodernist era, but since the publication of El buque (The Ship, 1935), he dealt with religious subjects with the classic style of Paul Claudel and Charles Péguy.
His distinction between "doric", "ionic", and "corinthic" novels originated in the traditional orders of the columns of Ancient Greek temples, and covers the distinction between realistic, psychological first person narratives and contemporary, postmodern novels.
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