His first works, Orto (Dawn, 1922) and Bazar (Bazaar, 1922), written following the principles of ultraism, along with Alcándara (Perch, 1935), connected him to the postmodernist era, but since the publication of El buque (The Ship, 1935), he dealt with religious subjects with the classic style of Paul Claudel and Charles Péguy.
It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism (with the invigoration of the Greek Revolution), right up until the Modernist and Postmodernist.
Norma Elia Cantú (born 1947), Chicana postmodernist writer and professor
He also rents himself out as a "friend", and wrote a philosophy book that seems to share a similar skeptical viewpoint of epistemology as Michel Foucault, the French postmodernist philosopher.