He made a mark in 1977 when he installed a full-sized model home on the roof of the Au Printemps department store.
The store has opened branches outside France, in locations including Andorra, the Ginza shopping district in Tokyo, and Jeddah.
Yvonne Printemps | Une hirondelle a fait le printemps | Printemps |
Three of the films (Derrière l'Omnibus, Coquin de Printemps, and Duelliste Marsellais) were sold through the catalogs of Méliès's studio, the Star Film Company, for both French and American film markets.
The song "I'm Not" samples the rondeau Rose, liz, printemps, verdure by Guillaume de Machaut, recorded by the early-music vocal group the Gothic Voices (on their album "The Mirror of Narcissus").
In 2003, she collaborated with IAM on their track "Nous," from their album Revoir un Printemps.
Sclavis had received a commission to premiere a new project at the Monaco Festival Le Printemps des Arts in Monte Carlo, in April 2005.
1998 - « Printemps français », Espace de l'art concret, Mouans-Sartoux.
Pascal Dubreuil is invited for festivals such as the Printemps des Arts, the Académies musicales de Saintes, the Festival de Música Antiga in Barcelona, the festival Dni starej hudby in Bratislava or the Klavier Festival Ruhr.
She has been Executive Director of Artemis since 1992 and is Vice-Chairman of the Board of Groupe PPR and Chairman of the Supervisory Board of Christie’s.
The Spring Chicken is an English musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith, produced by George Edwardes at the Gaiety Theatre, opening on 30 May 1905.
There he choreographed several ballets, including Cinderella, Sacre du printemps, The Idiot, and War and Peace. He also staged Heart of the Mountain for the San Francisco Ballet (1976), Scheherazade and Petrushka for Vienna State Opera Ballet (1981), The Three Sisters for the Royal Swedish Ballet (1983), and Hamlet to music by Shostakovich for the Norwegian National Ballet (1984).
The critic Richard Traubner commented in 2006 that because of the performances of Printemps and Fresnay the film still "hangs over anyone who dares revive the operetta on stage".