Vainola has also written music for several stageplays (e.g. "Ronja", "Huck", "Daamide õnn" ja "Mort, surma õpilane", and songs (e.g. "Riia mu arm", "Insener Garini hüperboloid", "Elagu Proudhon!", "Pille-Riin", "Subatlantiline kohtumine", "Eleegia", "1905" and "Kaks meest").
In spite of her associations with the anarchist followers of Proudhon and Bakunin, she was not an anarchist.
He wrote an introduction to this edition, emphasizing the historical significance of the experience of the Paris Commune, and its theoretical generalization by Marx in The Civil War in France, and also providing additional information on the activities of the Communards from among the Blanquists and Proudhonists.