Come Dancing covers the nine-year period during which the Kinks were signed to Arista, and includes some live versions of hits from the band's Pye and RCA years.
He was one of the UK’s first club DJs (1963), before spending 25 years in the record business – working in A&R for labels including RCA Records, Pye Records, DJM Records, Stax Records, Chess Records, Disco Demand, Sugarhill, Calibre, Champagne, Hi, Solar, CTI Records, TMT and Buddah Records, and was managing director of Barry White's label, 20th Century Records.
Red Price released "Week End" as a single in the UK on Pye Records in 1958.
In 1971 they got in to Pye Studios for their first studio recording, a maxi single with a version of Bob Dylan's 'Hobo'.
In 1972, under the name "Weeny Bopper", Brennock recorded the single "David, Donny and Michael", a Pye Records release intended to capitalize on weenybopper enthusiasm for David Cassidy, Donny Osmond, and Michael Jackson.
"Tip of My Tongue" (Lennon–McCartney) / "Heaven Only Knows" (August 1963, Pye Piccadilly 7N 35137)
He worked in the music industry for several years, first in the quality control department of Decca Records listening to output that ranged from medieval classical music to Chubby Checker, after four years becoming assistant producer to Tony D'Amato, then briefly a record plugger for Pye Records.
In the UK, Pye Records released these Muddy Waters/Earl Hooker songs on a four-song extended play 45 rpm record or "EP" in 1963.
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By 1971, Pye Records transferred the rights to release Donovan's 1965 recordings from their budget label Marble Arch Records to a second subsidiary budget label Golden Hour Records.
She recorded with Sting and Andy Summers of The Police on her Pye Records 45 RPM "Hulk" (the B side is "Dancing Man"; the musicians from the Police possibly only appearing on the A side), and with Ray Fenwick of the group Fancy in a band called Jo Jo Laine & The Firm on Mercury Records.
Accompanying himself on guitar, he had two hits in Britain, "Talking Army Blues" (on Top Rank Records, in 1960) and "Messing About on the River" (Pye, 1962).
Following Arbroath they were engaged to appear at the Metropolitan Theatre, Edgware Road, London, and it was during this season they were spotted and signed to Pye Records.
The Sandie Shaw Supplement was a television show hosted by 1960s British singer Sandie Shaw in 1968 and also the name of her fourth original album released in November of that year by Pye Records and re-issued shortly afterwards on the Marble Arch label.