Pyotr Ilyich Tchaikovsky: Capriccio Italien, Suite No 3 'Theme and Variations, with the Orchestre de la Societe des Concerts du Conservatoire, Paris.
When Batman and Robin arrive, the Joker starts up a record of Tchaikovsky's Dance of the Sugar Plum Fairy and sends multiple, over-sized, toy soldiers, which are soon defeated.
Here are kept the Russian translations of the correspondence of the Georgian kings, nobles and of their family members, autographs of Lev Tolstoi and Pyotr Tchaikovsky, church writings, etc.
The enchanting arpeggiated melody is based on Tchaikovsky's Symphony No. 6, "The Pathetique", and is thought to have originated in either a Russian or Italian folksong.
In 2005 he realised a long-held ambition to design all three of Pyotr Ilyich Tchaikovsky's ballets.
Henryk Pachulski the pianist and composer was born here, as was his elder brother Władysław Pachulski, also a musician who became the son-in-law of Pyotr Ilyich Tchaikovsky's patroness Nadezhda von Meck and played a significant role in the breakdown of their relationship.
She is also apparently known for playing Tchaikovsky's 1812 Overture at high volume while travelling between courts.
The original chorus was formed with the New Jersey Symphony who needed “angels’ voices” for the “Dance of the Snowflakes” in their production of Tchaikowsky’s “The Nutcracker”.
Examples from the classical reportoire include Schubert's Piano Sonata in A minor, Op. 42, first movement, mm. 32-39, Brahms' Opus 116, No. 3, and many pieces by Tchaikovsky such as the first movement of the Pathetique Symphony.
In 2011, he co-created the musical comedy, "The Nutcracker and I", with music by Tchaikovsky, lyrics by Gerard Alessandrini, and book by Brash.
When both Oboler and Johnson relocated to New York City, the actor was featured in many episodes of Arch Oboler's Plays, notably as the title role in "The Ugliest Man in the World" (repeated five times) and as Pyotr Ilyich Tchaikovsky in "This Lonely Heart" both from 1939.
#"Writing on the Wall" (Blackmore/Night/traditional by Pyotr Ilyich Tchaikovsky) – 4:35
In Udmurtia, there are eight professional theaters, a Philharmonic Society, and more than ten state and numerous public museums, which tell of the history and culture of Udmurtia and its people, like the Museum of History and Culture in Sarapul, or the Tchaikovsky Museum in Votkinsk.
The track "Remember, Remember" uses the "national anthem" part of the 1812 Overture by Tchaikovsky, and "Knives And Bullets (And Cannons Too)" incorporates the piece in its final two minutes.
International Tchaikovsky Competition | Pyotr Bagration | Pyotr Kapitsa | Pyotr Vyazemsky | Pyotr Stepanov | Pyotr Nikolsky | Pyotr Nikolayevich Wrangel | Pyotr Nesterov | Pyotr Leshchenko | Pyotr Krasnov | Pyotr Kozlov | Pyotr Kolodin | Boris Tchaikovsky | Tchaikovsky's | Pyotr Suvchinsky | Pyotr Rumyantsev | ''Pyotr Potemkin'' by Godfrey Kneller | Pyotr Mikhaylovich Yershov | Pyotr Leshchenko (TV Series) | Pyotr Dolgorukov | Pyotr Demichev | Pyotr Blinov | Pyotr Aleksandrovich Tolstoy | Dmitry Ilyich Ulyanov | Alexander Ilyich Yegorov |
The performance, entitled Cantabile 2, made its debut at Aula Simfonia Concert Hall in Kebayoran, Jakarta, on 16 July and featured works by Pyotr Ilyich Tchaikovsky, Ludwig van Beethoven, and Mikhail Glinka.
Gauk’s first conducting experience was in 1912 with a student orchestra, and professionally on 1 October 1917 for a production of Tchaikovsky's Cherevichki at the Petrograd Musical Drama Theatre.
Over the years he performed works by composers such as Johann Sebastian Bach, Ludwig van Beethoven, Béla Bartók, Ernest Bloch, Johannes Brahms, Claude Debussy, George Frideric Handel, Joseph Haydn, Paul Hindemith, Darius Milhaud, Sergei Prokofiev, Robert Schumann, Grigoraș Dinicu, George Enescu, César Franck, Fritz Kreisler, Ottokar Nováček, Gaetano Pugnani, Pablo de Sarasate and Pyotr Ilyich Tchaikovsky.
Amongst other roles, Sizova received great acclaim as Princess Aurora in the 1964 Kirov production Tchaikovsky's The Sleeping Beauty opposite Yuri Solovyov.
In addition to his many recordings for European radio and television, Boyde’s discography includes works by Brahms, Schumann, Tchaikovsky, Dvořák, Mussorgsky, Ravel, Scriabin and Schoenfield.
Although Tchaikovsky's 1812 Overture was written with the building's completion in mind, it had its world premiere in a tent outside the unfinished church in August 1882.
Igor Stravinsky also arranged a divertimento from his ballet to music of Tchaikovsky, Le baiser de la fée, while Joaquín Rodrigo called his 1982 cello concerto a "Concierto como un divertimento" ("Concerto like a divertimento").
The musicologist Colin Eatock writes that the term "English musical renaissance" carries "the implicit proposition that British music had raised itself to a stature equal to the best the continent had to offer"; among the continental composers of the period were Brahms, Tchaikovsky, Dvořák, Fauré, Bruckner, Mahler and Puccini.
During his time at the Moscow Conservatoire, around September 1866 the school's principal, Nikolay Rubinstein commissioned Pyotr Ilyich Tchaikovsky to compose a Festival Overture on the Danish National Anthem to be played for the visit of the Tsarevich (heir to the throne) to Moscow, accompanied by his new Danish bride, Princess Dagmar of Denmark.
Woolfenden has conducted three productions with the Scottish Opera, as well as the first British productions of Nielsen's Saul and David, Tchaikovsky's Maid of Orleans and Liszt's Don Sanche.
There were galas dedicated to Cuban and French composers, to baroque composers, to Frédéric Chopin, Igor Stravinski and Manuel de Falla- to commemorate the 120th anniversary of his birthday and the 50th of his death-, and as well to the Russian composer Pyotr Ilyich Tchaikovsky, key figure in the classic ballet.
Gounod wrote incidental music to Barbier's play Jeanne d'Arc, and the libretto to Pyotr Ilyich Tchaikovsky's opera The Maid of Orleans was partially based on it.
Scherbakov has had a successful recording career for Naxos Records; among his CDs on that label are recordings of all Tchaikovsky's Piano Concertos, the nine Beethoven symphonies (as transcribed for the piano by Liszt), and music by Godowsky, Medtner, Respighi, Shostakovich, and Lyapunov.
Based on Hans Christian Andersen's short story, Iisjomfruen (English: The Ice-Maiden), it is an homage to Pyotr Ilyich Tchaikovsky, making use of several melodies from his early works.
Marche Henri IV was a common leitmotif for French royalty in several 19th century works, such as in Gioachino Rossini's opera Il viaggio a Reims (in the finale, when Charles X is crowned) and in the final march in Pyotr Ilyich Tchaikovsky's ballet The Sleeping Beauty.
For the Bavarian Radio Station, the violinist has recorded various pieces like Ballade Sonata for solo violin No. 3 by Eugène Ysaÿe, Edvard Grieg's Sonata in C minor, the Sonata by Maurice Ravel, Valse-Scherzo, Op. 34 and Melody, Op. 42/3 by Tchaikovsky, the Béla Bartók's Solo Sonata, Antonio Bazzini's Dance of the Goblins, Sibelius and the Second Violin Concerto of Karol Szymanowski.
While an Adler Fellow with San Francisco Opera, she performed many roles including Mascha in The Queen of Spades by Pyotr Ilyich Tchaikovsky, Papagena in The Magic Flute, Serpina in La Serva Padrona by Giovanni Battista Pergolesi, the title role in Rita by Gaetano Donizetti and Pauline in The Seagull.
They include recordings dedicated to the works of Verdi and Rossini, Mexican and Spanish music, the works of Isaac Albéniz, Joaquín Rodrigo, Manuel M. Ponce and Carlos Chávez, and the integral series of the symphonies of Ludwig van Beethoven, Robert Schumann, Johannes Brahms and Pyotr Ilyich Tchaikovsky.
He also performs chamber works, with the Pasquier Trio, and with musicians such as Pierre Amoyal or Michel Portal, with whom he recorded Poulenc and Tchaikovsky.
Some of Pyotr Ilyich Tchaikovsky's works, such as his Variations on a Rococo Theme and Serenade for Strings, employ a poised "Classical" form reminiscent of 18th-century composers such as Mozart (the composer whose work was his favorite).
Besides TV appearances he also traveled throughout the world and performed works of German composers such as Bach, Beethoven, Brahms, Schubert, Russian ones such as Tchaikovsky, Shostakovich and Sviridov and Argentinian Piazzola.
Subsequently, she created roles in other Massine works, including the first three of his famous, and controversial, "symphonic" ballets: Frivolity in Les Présages (1933), set to Tchaikovsky's Fifth Symphony; the third and fourth movements of Choreartium (1933), set to Brahms's Fourth Symphony; and Reverie in Symphonie Fantastique (1936), by Berlioz.
The Jakarta Symphony performed Mozart's Symphony No. 40 in G minor K. 550, Haydn's Concerto for Flute in D major, and several compositions by Pyotr Ilyich Tchaikovsky, Gioachino Rossini and Johann Strauss II.
Born in Venice, Komisarjevsky was born into theatre, as his father Fyodor Petrovich Komissarzhevsky was an opera singer who had befriended Tchaikovsky and his sister, Vera Komissarzhevskaya, was an eminent actress.
The musical pieces of the composer have been performed by such orchestras as Philadelphia & Boston Symphony Orchestra, State Symphonic Orchestra of USSR, Orchestra of Valery Gergiev, Bolshoy Symphonic Orchestra of Russia n.a. Tchaikovsky, Orchestra of Cinematography conducted by Sergei Skripka, Saint Petersburg State Philharmonic Orchestra n.a Dmitri Shostakovich.