The musicologist Colin Eatock writes that the term "English musical renaissance" carries "the implicit proposition that British music had raised itself to a stature equal to the best the continent had to offer"; among the continental composers of the period were Brahms, Tchaikovsky, Dvořák, Fauré, Bruckner, Mahler and Puccini.
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Mackenzie became principal of the Royal Academy of Music; and at the Royal College of Music, Parry succeeded George Grove as director, and Stanford was professor of composition, with pupils including Arthur Bliss, Frank Bridge, Herbert Howells, Gustav Holst, John Ireland and Ralph Vaughan Williams.
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Among the composers championed by proponents of the theory were Hubert Parry, Charles Villiers Stanford and Alexander Mackenzie.
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