By the end of the film Julio's leg is broken and he uses binoculars to watch crimes out the window as in Rear Window.
The practice of sleeping on fire escapes can also be seen in Alfred Hitchcock's 1954 movie Rear Window (also based on a Woolrich short story), as well as Weegee's photography of the Lower East Side).
Rome's music and/or lyrics can be heard in such films as Rear Window, Anchors Aweigh, Thousands Cheer, and Babes on Broadway.
His column there was called Panjere-i roo be hayaat (A Window to the Life, a reference to Alfred Hitchcock's Rear Window), and later expanded to a weekly page on digital culture, Internet and computer games.
Hayes collaborated with director Alfred Hitchcock on four films: Rear Window (for which he won an Edgar Award and an Oscar nomination), To Catch a Thief, The Trouble with Harry and The Man Who Knew Too Much.
This film became Kandagawa Pervert Wars with its references to Alfred Hitchcock's Rear Window, inventive directorial devices, playful mannerisms and in-joke allusions to Kurosawa's favorite western films.
Mimic 3: Sentinel stars horror film veteran Lance Henriksen and takes a departure from the tone of the first two films, as it has a feel similar to Alfred Hitchcock's Rear Window rather than the action/horror tone of its predecessors.
The boyfriend, who is a photographer may have been suggested by another Hitchcock film, Rear Window.
While making, Patrick, Richard Franklin gave Everett De Roche a copy of Rear Window as an example of how he wanted the script typed.
The short story was then made into the acclaimed movie Rear Window (1954), directed by Hitchcock and starring Stewart.
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She has made guest appearances on The Cosby Show, Magnum, P.I., Seinfeld, Spin City, Law & Order, Law & Order: Special Victims Unit, and Law & Order: Criminal Intent, and had a featured role in the 1998 television remake of Rear Window starring Christopher Reeve and Daryl Hannah.
After a showing of Alfred Hitchcock's Rear Window, at the Missouri Theater, the Ragtag was able to acquire a 35mm projector.
Some of her more famous films include The Secret Life of Walter Mitty (1947), Neptune's Daughter (1949), Annie Get Your Gun (1950), Show Boat (1951), Rear Window (1954), Breakfast at Tiffany's (1961), Camelot (1967) and Paint Your Wagon (1969).