According to musicologist Richard Taruskin, the traditional Kamarinskaya is "a quick dance tune" otherwise known as a nagriish, distinctive for its three-bar phrase lengths, which are played in an endless number of variations in moto perpetuo fashion by an instrumentalist.
Lebrecht was described by musicologist Richard Taruskin as "a sloppy but entertaining British muckraker".
More recently, several art historians, most prominently musicologist Richard Taruskin, have applied the term "ontogeny becomes phylogeny" to the process of creating and recasting art history, often to assert a perspective or argument.
In the Oxford History of Western Music, Richard Taruskin describes a sonata da camera as "... essentially a dance suite, which Corelli adapted to the prevailing four-movement format (a 'preludio' and three dances or connecting movements)."
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