Cecco and other citizens discuss the negotiations of the patricians with the Pope and with the Emperor of Germany.
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Meyerbeer also introduced Wagner to Ignaz Moscheles, who was also staying at Boulogne; as Ernest Newman comments, this was "Wagner's first meeting with real international musical celebrities".
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Other critical comments though the ages have included (apart from von Bulow's jibe about it being 'Meyerbeer's best opera'), 'Meyerbeer's worst opera' (Charles Rosen), 'an attack of musical measles' (Ernest Newman) and ' the greatest musical drama ever composed' (Gustav Mahler).
Rienzi |
Among his pupils were Josef Tichatschek, creator of Wagner's Rienzi and Tannhäuser, the Austrian tenor Heinrich Kreutzer and Sophie Löwe, one of the most famous opera singers of her time.
It did not go unnoticed that the libretto, by Charles Nuitter and Louis-Alexandre Beaumont, was, like Rienzi, based on a novel by Edward Bulwer-Lytton (The Last Days of Pompeii).
Besides Shakespeare, he also translated a number of other works from English into Japanese, including Sir Walter Scott's The Bride of Lammermoor and Bulwer-Lytton's novel Rienzi, the Last of the Roman Tribunes.