As the Romantic movement swept through Europe during the 19th century, Boëly was shunned by the official mainstream of musical life in Paris because of his Classical sensibilities and his "elitist" fidelity to writing serious music.
The work had a profound influence on the development of Romantic opera, particularly in Germany.
His performances include the romantic repertoire (played on original instruments), baroque, 20th century music, contemporary and avant-garde music, and include solo, chamber works and concertos for guitar and orchestra.
Émile Paladilhe (3 June 1844 - 6 January 1926) was a French composer of the late romantic period.
Praised for his formidable technique and many varied colors (His technique has been compared by the 2007 Revue Musicale de Suisse Romande to that of the legendary pianist Vladimir Horowitz and called him " a sensual gourmand of sound ") he has received critical acclaim for his interpretations of Transcriptions (including some of his own), French, Spanish and Romantic music.
That term is often more broadly applied to the Classical era in music as a whole, as a means to distinguish it from other periods that are colloquially referred to as classical, namely Baroque and Romantic music.
Wilhelm claimed that his grandfather deserved to be recognized as a key precursor to Romantic music, although some critics challenged his assessment because of a lack of clarity over what elements in the edited works were original and which were added by Wilhelm.
Though he studied with Vaughan Williams and Stanford at the Royal College, Jacob preferred the more austere Baroque and Classical models to the Romanticism of his peers, and stuck to this aesthetic even in the face of the trends toward atonality and serialism.
His works for organ have been called "expressive in a post-Romantic manner.
There was so much recorded and live chamber music in his home that by the time Joel was twelve years old, he had played most of the Classical and Romantic piano trio literature with his mother and (now professional) violinist brother, Aaron.
Other recordings followed on Warner Classics, Nonesuch Records and Deutsche Grammophon labels that include masterworks for solo violin, recital repertoire and the concertos of Romantic and modern composers.
There are also many basic scale patterns and simple arpeggios, and the majority of her pieces are clean, lacking the melodrama of later romantic works.
Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period.
A variant of the heckelphone, the piccolo heckelphone was intended to add power to the very highest woodwind register of the late Romantic orchestra, providing a full and rich oboe-like sound well into the sopranino range.
His repertoire includes various musical styles such as world music as well as pop music and jazz on the one hand, and is leading within classical music from baroque through romanticism up to the contemporary music, on the other hand.
For example, Jean Sibelius' Finlandia has been interpreted to represent the rising nation of Finland, which would someday gain independence from Russian control (Child 2006).
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For example, features of the "ghostly and supernatural" could apply equally to Mozart's Don Giovanni from 1787 and Stravinsky's The Rake's Progress from 1951 (Kravitt 1992, 93–95).
José Carlos de Sequeira Costa (born 18 July 1929, Luanda, Angola) is a Portuguese pianist who is especially admired for his interpretations of the Romantic repertoire.
While it is often associated with music of the Romantic Period, classical performers frequently use rubato for emotional expressiveness in all kinds of works.
Terra Verde is strongly rooted in ragtime (examples: Scott Joplin, James Scott, Joseph Lamb), new (or contemporary) ragtime (David Thomas Roberts, Frank French, Scott Kirby), Latin American music (Ernesto Nazareth, Ernesto Lecuona) and Romantic music of the 19th century (Frédéric Chopin, Louis Moreau Gottschalk).
Her music owed much to that of the Romantics, especially Gabriel Fauré, and borrowed from medieval traditions as well; it was enhanced through modern harmonic structures.
Bowen’s compositional style is widely considered as ‘Romantic’ and his works are often characterized by their rich harmonic language.
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Despite Bowen's success during the years before the First World War, by the time he wrote his Piano Concerto No. 4 in A minor, Op. 88, in 1929, his romantic compositional style was considered outdated in relation to the modern techniques of his contemporaries.
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Currently, up to five prizes are awarded, one in each style category (Baroque, Classical, Romantic, Impressionism & Contemporary).
Known for her contralto vocal texture and her repertoire of love ballads and boleros, she collaborated extensively with singer-songwriters from elsewhere in Latin America, particularly Mexican standards such as Los Panchos and Armando Manzanero; among her best-known, non-Hispanic interpretations is that of Paul Anka's My Way.
Many of these components of music are found in difficult compositions, for example, a large tuple chromatic scale is a very common element to classical and romantic era compositions as part of the end of a phrase.
Pimba singers can be said to use the same themes as folklore and target the same audience, though some (such as Marco Paulo or Tony Carreira) shun the title and call themselves "poetic" or "romantic singers" in an attempt to claim serious artistic recognition.
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.
His compositions, which are distinguished by spontaneity and melodiousness, include a suite for string orchestra, a polonaise for full orchestra, a Slavic dance, a string quartet, piano music, romances, etc.
The repertoire includes a range of music styles, including Viennese Classicism, Romanticism and 20th-century classical music, including works by Polish composers.