Besides the myth-songs i.e., the myth recitatives spoken of here, over two hundred other songs of various kinds (three or four varieties of "cry" or mourning songs, bear-dance songs, round-dance songs, ghost-dance songs, medicine songs, gambling songs, scalp songs, and others less easy to classify) were obtained from him.
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The work revolves around leading obscenity trials: Friedrich Schlegel's Lucinde (Jena, 1799), Gustave Flaubert's Madame Bovary (Paris, 1857), Arthur Schnitzler's Round Dance (Berlin, 1920), D. H. Lawrence's Lady Chatterley (London, 1960), and Henry Miller's Tropic of Cancer (Los Angeles, 1962).
Extensive sections of the marketplace scene in Act I are danced to various passages from Rossini's opera comique Le Comte Ory (1828), whilst the round dance in the same scene is taken from Paulli's music for Bournonville's ballet, The White Rose.