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This work, which became known as the Virgin of Quito (1734), met with great approval and countless copies and imitations were made throughout the Royal Audiencia of Quito (present day Ecuador and Colombia).
The Royal Audiencia of Quito, whose president had executive powers, had jurisdiction over the provinces of Quito, Cuenca, Loja, Ibarra, Riobamba, Pasto, Popayán, Buenaventura and parts of the Cauca River Valley.