As a playwright, Bandele has worked with the Royal Court Theatre, the Royal Shakespeare Company, as well as writing radio drama and screenplays for television.
He has written a number of plays including De insomnio y media noche, which was performed at the Royal Court Theatre in London in 2006 under the title On Insomnia and Midnight (English translation by David Johnston).
She has had a short play on at the Royal Court Theatre and was one of the fifty "most promising new writers in Britain" currently on attachment to the Royal Court and the BBC.
In the late 1950s, as a play-reader, director and drama teacher at the Royal Court Theatre in London, he chose to reverse all that his teachers had told him in an attempt to create more spontaneous actors.
She is a former member of the Royal Court Young Writer's Programme and its Invitation Group.
In October 1912, her play The Betrothal of Number 13 was produced at the Royal Court Theatre.
In 1968, actor Rip Torn directed a notable production at The Royal Court Theatre and it has most recently been revived at a smaller venue, the Old Red Lion Theatre in 2006 under the direction of Nic Saunders with new music by Terry Riley.
In 1993 Grosso's monologue Mama Don't was produced by the Royal Court Young People's Theatre and put on at the Commonwealth Institute, London.
Playing the Victim wasfirst staged at the Traverse Theater as part of the Edinburgh Fringe Festival (co- produced with the Royal Court Theatre) and Told by an Idiot in 2003.
It premiered at the Royal Court Theatre from 5 September to 19 October 2013, in a production directed by Vicky Featherstone, starring Tom Brooke in the title role and with a cast also including Pippa Haywood, Joshua James, Kate O'Flynn, Alan Williams, Jonathan McGuiness and Aaron Monaghan.
His plays Plasticine, Black Milk and Ladybird were first produced in the West by the Royal Court Theatre, in 2002, 2003 and 2004, respectively.
In 1889 she joined the Kendals at the Royal Court Theatre and on tour in the U.S. Two years later, back in London, she joined Henry Irving and Ellen Terry in their famous Shakespeare company at the Lyceum Theatre.
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In 1889 she joined the Kendals at the Royal Court Theatre as Lady Gillingham in The Weaker Sex, and at the end of the year travelled with them to the U.S., where she played Lady Ingram in the comedy A Scrap of Paper and in dramas such as The Iron Master, Impulse and A White Lie and comedies such The Weaker Sex.
Dominic's work as a theatre photographer began in the Royal Court Theatre around 1957, and she became known for photographing the postwar British theatre revival, including actors Laurence Olivier, Joan Plowright and Maggie Smith and performers Maria Callas, Margot Fonteyn and Rudolf Nureyev.
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Newman has extensive theatre experience, including Loveplay by Moira Buffini; Luminosity by Nick Stafford; Night of the Soul by David Farr and The Big Lie by Anthony Neilson, all for the RSC, as well as The Censor and The Lying Kind, both by Anthony Neilson, for the Royal Court Theatre, London.
On stage she played Izzy in the original production of Polly Stenham's play That Face at the Royal Court Theatre for which she was praised by critics.
In 2010 Kaluuya played the lead role in Roy Williams' Sucker Punch at the Royal Court Theatre in London for which both the play and Kaluuya won rave reviews and he won both the Evening Standard Award and Critics' Circle Theatre Award for Outstanding Newcomer.
It was subsequently adapted into a stage play called Falkland Sound by Louise Page which was first performed at the Royal Court Theatre in 1983.
She has taken part in productions of Six Degrees of Separation, Thérèse Raquin, The School for Scandal, Hotel Paradiso, and others in locations as diverse as the Royal Court, Bristol Old Vic, the Nottingham Playhouse, the National Theatre and others.
Richardson continued her studies of music and drama at New York University’s Tisch School of the Arts, the Lee Strasberg Theatre and Film Institute and the Royal Court Theatre Young People's Theatre in London.
It was not an ideologically-driven magazine; it was not consistent; it admired the Royal Court, Theatre Workshop, Ionesco, Arden, and Tynan, and it often attacked all of these.
A Lagosian by birth, he studied acting at the Rose Bruford College of Speech and Drama, earning a diploma in 1965, after which he appeared in many shows on the London Stage, including the Royal Court Theatre production of Wole Soyinka's The Lion and the Jewel, and Shakespeare's Macbeth, with the late Sir Alec Guinness as Macbeth and the late Simone Signoret as Lady Macbeth.
Gregory Motton's first two plays went on in quick succession: Chicken (directed by Kate Harwood) at the Riverside Studios in April 1987, and then Ambulance (directed by Lindsay Posner) at the Royal Court in September 1987.
He has appeared on stage in theatres across the UK including the Young Vic, Live Theatre Newcastle, the Traverse Theatre, the Royal National Theatre, the Bush and the Royal Court Theatre.
She also played a male role in Brendan Behan's play The Hostage and appeared in The One With the Oven, at the Royal Court Theatre.
Bailey has worked extensively in British theatre, including Chichester, Bristol Old Vic, the West Yorkshire Playhouse, London's West End, the Royal Court, the National Theatre, the Old Vic, the Arts Theatre, Hampstead, the Tricycle Theatre and the company Shared Experience with whom she received a TMA nomination as Best Supporting Performance for her role in Kindertransport (2007).
The same year, she starred with Lottie Venne and Johnston Forbes-Robertson in G. W. Godfrey's comedy The Parvenu at the Court Theatre.
A revised edition premiered at the Royal Court Theatre on 23 February 1989 and in a recent revival premiered on 29 September 2009 at the Watford Palace Theatre.
New departures in publishing included working with Max Stafford-Clark and the Royal Court Theatre to encourage theatre-goers to read play scripts by printing programmes that included the entire play.
In 2013 her third play No Quarter was staged at the Royal Court, directed by Jeremy Herrin and starring Tom Sturridge.
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Her second play, Tusk Tusk premiered in the downstairs teatre at the Royal Court in March 2009 directed by Jeremy Herrin.
On the stage, he appeared in the first production of Mustapha Matura's Play Mas at the Royal Court Theatre in 1974, and has played the titular character in stage productions of Shakespeare's Othello, directed by David Thacker and Charles Marowitz, and also Caliban in a production of The Tempest directed by Jonathan Miller.
In 1972, Fugard directed the play's world premiere in Cape Town, followed the next year by a staging at London's Royal Court Theatre which transferred to the Ambassadors, with Kani as Styles and Buntu and Ntshona as Robert/Sizwe.
Hankin's admiration of the work of George Bernard Shaw led him to associate himself with the Stage Society and the Royal Court Theatre.
Her theatrical roles have included Adela in a production of Lorca's The House of Bernarda Alba at Coventry's Belgrade Theatre, and Dani in The Sugar Syndrome, staged at the Royal Court Theatre Upstairs, London, in 2003.
He has also appeared in classical theatre, in various Doctor Who audio productions, an episode of the 2005 Channel 4 drama The Courtroom, Headlong Theatre's production of Paradise Lost at the Hackney Empire and in the musical play ENRON at the Royal Court and in the West End.
It is located at 27-33 Harrington Gardens in south Kensington, lying between Cromwell Road to the north and Brompton Road to the south in close proximity to some of London's major museums including the Natural History Museum, Victoria and Albert Museum and other sites of note such as the Royal Albert Hall, Sloane Square and the Royal Court Theatre, and the boutiques of Knightsbridge such as Harrods and Harvey Nichols.
In 1960 he travelled to Europe to study experimental drama at the Royal Court Theatre in London and the Comédie-Française in Paris.
An a cappella version of "Wearing My Rolex", performed by the main cast, featured in the original Royal Court Theatre production of Laura Wade's stage play Posh (2010).
A typical recent season (Autumn-Winter 2007) included: Casanova by Carol Ann Duffy and Told By An Idiot, with Lyric Hammersmith; a stage adaptation of Don Quixote; Brief Encounter with Kneehigh Theatre and Birmingham Repertory Theatre; Rough Crossings adapted by Caryl Phillips from Simon Schama's book; Salonika, first performed at the Royal Court Theatre in 1982.
He was the artistic director of the Royal Court Theatre between 1965 and 1972, where he directed premieres of plays by writers including David Hare, John Arden, Edward Bond and Arnold Wesker, as well as introducing many of Bertolt Brecht's works to British audiences.
A modern adaptation by Howard Barker at the Royal Court Theatre in 1986, in which the first two-thirds of Middleton's play were preserved but the ending was entirely revamped; among other changes, Sordido rapes Bianca before her wedding.