He directed numerous plays and musicals both at Brandeis and in professional theatre, including Ruddigore, Uncommon Women and Others and She Loves Me.
Toye's overture to Ruddigore has been recorded numerous times, conducted by Harry Norris, Isidore Godfrey, and Sir Malcolm Sargent (who each recorded the complete opera) and Sir Charles Mackerras, among others.
He remained with the D'Oyly Carte company until 1890, playing Piscator in The Carp (a one-act curtain raiser) when it accompanied Ruddigore, and Mr. Harrington Jarramie in Mrs. Jarramie's Genie (another curtain raiser), when it accompanied The Yeomen of the Guard, in each case at the Savoy Theatre in London.
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He was responsible for making the textual revisions to Ruddigore when that opera was restaged in December 1921, as well as the extensive revision (with music director Harry Norris) to create the Savoy Edition of Cox and Box, and he approved any changes to stage business, such as Darrell Fancourt's introduction of the Mikado's famous laugh.
Stage appearances include The Importance of Being Earnest (in which he appeared as "John Worthing", inheriting the role from Geoffrey Rush) — also appearing in A Funny Thing Happened on the Way to the Forum, Orpheus in the Underworld, and the Gilbert and Sullivan Savoy operas Ruddigore and The Mikado .
After returning to England, she was engaged by the D'Oyly Carte Opera Company, creating five of the principal soprano roles in the hit series of Gilbert and Sullivan operas, including the title role in Patience (1881), Phyllis in Iolanthe (1882), the title role in Princess Ida (1884), Yum-Yum in The Mikado (1885), and Rose Maybud in Ruddigore (1887).