The painting was stored in a museum in Pau for the duration of the war, as French, Belgian and German military representatives signed an agreement which required the consent of all three before the masterpiece could be moved.
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One work in particular, The Fountain of Grace (The Triumph of the Church over the Synagogue), listed in the Convent's Libero de Bercero (Vellum Book) as a gift of the King in 1454, was originally attributed to a follower of the School of Jan van Eyck, as it uses the same symbolic language and constructional forms as part of The Mystic Lamb polytych in Saint Bavo Cathedral in Ghent, Belgium.