The song has appeared from time to time in Metallica's live set since its release in 1996 including the live album S&M with the San Francisco Symphony.
The broadcast schedule consists of playlists announced by local hosts, as well as nationally syndicated broadcasts, including those from the San Francisco Symphony, the Cleveland Orchestra, the Milwaukee Symphony Orchestra, the New York Philharmonic, the Metropolitan Opera and San Francisco Opera during their seasons, the Exploring Music program with host Bill McGlaughlin, and the Radio Netherlands Live! at the Concertgebouw series.
Later in life Louise Boyd was an active and well-known Marin figure and hostess while serving as a member of the Executive Committee of the San Francisco Symphony.
An accomplished concert violinist, Myron Spaulding performed professionally for many years, including with the San Francisco Symphony.
Tobin maintained homes in San Mateo and San Francisco, and was active in several San Francisco organizations as a board member, officer, and benefactor, including the San Francisco Symphony Orchestra, San Francisco Opera, San Francisco Ballet, San Francisco Musical Association, and Catholic church.
His career was sparked by his 1947 concert performance as Pelléas in Debussy’s Pelléas et Mélisande, with the San Francisco Symphony Orchestra under Pierre Monteux, and Maggie Teyte as Mélisande.
She served on the board of the San Francisco Museum of Modern Art, the de Young Museum, the San Francisco Symphony and the San Francisco Opera and was as much an ideological as financial supporter of these organizations.
In 2006, the Hewlett Foundation provided $10 million to the San Francisco Opera Association and $5 million to the San Francisco Symphony.
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Grantees include both large, well-established organizations such as the San Francisco Symphony and the American Conservatory Theater and more experimental companies.
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Her concert credits include performances with the New York Philharmonic, the Concertgebouw, San Francisco Symphony, and the Los Angeles Symphony.
The tour featured Menzel performing a diverse repoitore of classic pop, musical theater favorites (including hits from Wicked, Rent), Glee, and songs from album I Stand), all accompanied by major symphony orchestras including New York Philharmonic, San Francisco Symphony, Royal Philharmonic Orchestra, and more.
In 1930 he guest-conducted with the San Francisco Symphony, and was later invited to become its music director, where from 1930 and 1932 he served as joint music director with Issay Dobrowen.
Malmsteen has been keen to emphasize that unlike other collaborations between rock musicians and classical orchestras (e.g. Metallica's performances with the San Francisco Symphony or Deep Purple's Concerto for Group and Orchestra), which feature a rock group playing with orchestral accompaniment, this is orchestral music which happens to have an electric guitar as its solo instrument.
Conte has received commissions from Chanticleer, the Golden Gate Men's Chorus, the San Francisco Gay Men's Chorus, the San Francisco Symphony Chorus, the Dayton Philharmonic, the Oakland-East Bay Symphony, and the Stockton Symphony.
She has`previously served as Executive Director of the Detroit Symphony Orchestra, President and Managing Director of the Saint Paul Chamber Orchestra, and both General Manager and Artistic Administrator of the San Francisco Symphony.
Since 2000 he has been Co-Principal Horn of the Aspen Festival Orchestra, and he has also performed as a guest Principal Horn with the orchestras of Toronto, Milwaukee, St. Louis, Cincinnati, San Francisco, the St. Paul Chamber Orchestra, and the NHK Symphony Orchestra.
Kohn's own works have been performed by the Los Angeles Philharmonic and Buffalo Philharmonic Orchestras, the Oakland Symphony, the Saint Paul Chamber Orchestra, on the San Francisco Symphony's Musica Viva series, at the Monday Evening Concerts in Los Angeles (Kohn served for two decades on the board of directors of the Monday Evening Concerts), and in concerts and broadcasts throughout the United States and abroad.
These include the Philadelphia Orchestra (she was a founding member of its Chamber Group), Boston Pops Orchestra, Cincinnati Symphony Orchestra, Indianapolis Symphony Orchestra, Pittsburgh Symphony Orchestra, Saint Louis Symphony Orchestra, San Francisco Symphony, Australian Chamber Orchestra, Sydney Symphony Orchestra, Melbourne Symphony Orchestra, The Queensland Orchestra, Canberra Symphony Orchestra, and West Australian Symphony Orchestra.
Since its founding, Ragazzi has performed regularly with the San Francisco Opera, San Francisco Symphony, Opera San Jose, West Bay Opera, Lawrence Pech Dance Company, Peninsula Symphony, Masterworks Chorale and the Stanford University Symphonic Chorus among others.
He was a member of the San Francisco Symphony under the baton of Herbert Blomstedt (1990–1995) During this period, he recorded several works for London/Decca.
Building on his exposure as a member of the BBC New Generation Scheme 2001-2003, Trpčeski has since 2005 made a rapid series of debuts with orchestras worldwide—including the New York Philharmonic, the San Francisco Symphony, the Los Angeles Philharmonic, the Singapore Symphony Orchestra, the Hong Kong Philharmonic, and the Toronto Symphony—and has made recital tours in the United States, Europe, and Asia.
Jaffe's music has been performed across the United States, Europe, and China (including the Nottingham, Tanglewood, and Oregon Bach Festivals) by ensembles including the National Symphony Orchestra, the R.A.I. of Rome, the North Carolina Symphony, the San Francisco Symphony, the New Jersey Symphony Orchestra, the Miami String Quartet, and the Ciompi Quartet.
The work was commissioned by the San Francisco Symphony and premiered at Davies Symphony Hall on July 8, 2006, with Lemony Snicket narrating and Edwin Outwater conducting.
The piece was commissioned for the San Francisco Symphony in honour of its 75th Anniversary by the widow of Ralph Dorfman.
Three Pieces for Blues Band and Symphony Orchestra was recorded in 1972 by the San Francisco Symphony and the Siegel–Schwall Band, conducted by Seiji Ozawa.
The recipient of numerous awards, Mamlok had received two National Endowment for the Arts Grants (1974 and 1981), a Fromm Foundation Grant (1994), a Fellowship from the Guggenheim Foundation (1995) and commissions from various organizations, including the Koussevitzky Foundation, Eastman School of Music, Alaria Chamber Ensemble and the San Francisco Symphony Orchestra.
Geraldine Walther’s recordings include Paul Hindemith's Trauermusik and Der Schwanendreher with the San Francisco Symphony (both on London/Decca), Paul Chihara's Golden Slumbers with the San Francisco Chamber Singers (Albany), and Lou Harrison's Threnody (New Albion).
These recordings have been released on the high-resolution audio format Super Audio CD on the San Francisco Symphony's own recording label.
Her appearances with orchestras include the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Chicago Symphony Orchestra, Detroit and Atlanta Symphonies, Orchestre National de Lyon, National Symphony Orchestra of Taiwan, Cleveland Orchestra, Houston Symphony, St. Louis Symphony, Florida Orchestra, Rochester Philharmonic, Orchestra of La Scala (Milan), Orchestra della Toscana (Florence), and the Malaysian Philharmonic Orchestra.