The Yokohama Cemetery has undergone recent revisions inspired by a generous bequest by Seiji Ozawa, whose parents-in-law are buried there.
In February 1998, singing from the General Assembly Hall of the United Nations, the chorus represented the Americas when Seiji Ozawa led the Winter Olympics Orchestra with six choruses on five continents, all linked by satellite, in the Ode to Joy from Beethoven's Ninth Symphony to close the Opening Ceremonies of the 1998 Winter Olympics.
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Originally formed for performances at the BSO's summer home at the behest of the BSO's conductor designate Seiji Ozawa, the Tanglewood Festival Chorus is the official chorus of the Boston Symphony Orchestra and Boston Pops Orchestra year-round, performing in Boston, New York and Tanglewood.
Three Pieces for Blues Band and Symphony Orchestra was recorded in 1972 by the San Francisco Symphony and the Siegel–Schwall Band, conducted by Seiji Ozawa.
Seiji Ozawa | Maria Ozawa | Naho Ozawa | Seiji Sakaguchi | Yasushi Ozawa | Seiji Kishi | Seiji Kameda | Seiji Tanaka | Seiji Mizushima | Seiji | Madoka Ozawa | Kenji Ozawa | Ichirō Ozawa |
He also appeared with such notable German conductors as Kurt Masur, Kurt Sanderling, Wolfgang Sawallisch, Christoph von Dohnányi, along with Seiji Ozawa of Japan, Charles Dutoit of Switzerland, Gennadi Rozhdestvensky of Russia, and French ones such as Marc Minkowski and Emmanuel Krivine.
It is particularly known for its International Besançon Competition for Young Conductors (Concours international de jeunes chefs d'orchestre) created in 1951, which is organized every two years and rewarded famous conductors such as Seiji Ozawa (1959), Michel Plasson (1962), Zdeněk Mácal (1965), Jesús López-Cobos (1968), Sylvain Cambreling (1974) or Yutaka Sado (1989), who began their international careers with its first prize.
The artist field would contain all information about the ensemble, conductor and perhaps soloist, for instance "Joseph Silverstein, Seiji Ozawa, Boston Symphony Orchestra".
Yokoyama achieved international attention for his New York City premiere performance in November 1967, of Tōru Takemitsu's composition November Steps, for shakuhachi, biwa, and orchestra, with the New York Philharmonic, under the direction of Seiji Ozawa (with biwa player Tsuruta Kinshi).
Le temps l'horloge was jointly commissioned by the Saito Kinen Festival Matsumoto (Seiji Ozawa, Director), the Boston Symphony Orchestra (James Levine, Music Director), and the Orchestre National de France (Kurt Masur, Music Director) (May 2007, 1).
Stringer used to take music lessons at the Juilliard School, Tanglewood Music Center and Los Angeles Philharmonic Institute at which he was under guidance from such teachers as Seiji Ozawa, Simon Rattle, Michael Tilson Thomas and Leonard Bernstein.
He also sang with many of the great orchestras, under Leonard Bernstein, Sir Colin Davis, Seiji Ozawa, James Levine, Nikolaus Harnoncourt, and Riccardo Muti.
The choir collaborates with the orchestra Münchner Philharmoniker, and has been conducted by prominent conductors such as Gustav Mahler, Hans Pfitzner, Krzysztof Penderecki, Rudolf Kempe, Herbert von Karajan, Sergiu Celibidache, Carlo Maria Giulini, Seiji Ozawa, Zubin Mehta, Lorin Maazel, Mariss Jansons, James Levine.
Upon completing his formal education, Gajewski continued refining his conducting skills at the 1983 Tanglewood Music Festival in Massachusetts, where he was awarded a Leonard Bernstein Conducting Fellowship and where his teachers included Leonard Bernstein, Seiji Ozawa, André Previn, Gunther Schuller, Gustav Meier and Maurice Abravanel.
Timothy Hutchins has appeared as guest principal with the Boston Symphony Orchestra with Seiji Ozawa, Vladimir Ashkenazy, and with Leonard Bernstein at the latter’s last appearance, recording Beethoven’s Seventh Symphony at Tanglewood.
She performed this role with opera companies such as San Francisco Opera, Grand Théâtre de Genève, Pittsburgh Opera, Vancouver Opera, Washington National Opera, San Diego Opera, and under the baton of Seiji Ozawa with the Boston Symphony Orchestra.
Sado won first prize and became the third Japanese winner (after Seiji Ozawa in 1959 and Yoko Matsuo in 1982) at the 39th annual International Besançon Competition for Young Conductors in Besançon, France in 1989.