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unusual facts about Shakuhachi


Katsutoshi Nagasawa

Nagasawa composed for traditional Japanese musical instruments (e.g., Shakuhachi, Koto, Shamisen).


Alcvin Ramos

Ramos studied shakuhachi in Japan under several teachers, including Kaoru Kakizakai, Teruo Furuya, Atsuya Okuda and more recently Yoshinobu Taniguchi.

Haru no Umi

"Haru no Umi" (春の海, "The Sea in Spring") is a Meiji shinkyoku piece for koto and shakuhachi composed in 1929 by Michio Miyagi.

Honkyoku

Shakuhachi Meditation Music, a 1997 CD release from Sounds True, features 13 selections from the Kinko Ryū, performed by Stan Richardson.

Kaoru Kakizakai

Kakizakai has performed widely in Japan and abroad, including as shakuhachi soloist in Toru Takemitsu's November Steps with the NHK Symphony Orchestra.

Katsuya Yokoyama

Yokoyama achieved international attention for his New York City premiere performance in November 1967, of Tōru Takemitsu's composition November Steps, for shakuhachi, biwa, and orchestra, with the New York Philharmonic, under the direction of Seiji Ozawa (with biwa player Tsuruta Kinshi).

Ken LaCosse

He is known particularly for developing a large, wide bore style of shakuhachi called Taimu, with input from shakuhachi player Brian Ritchie.

Ken Ueno

A monograph compact disc of three works for soloist(s) and orchestra, Talus for viola and orchestra, On a Sufficient Condition for the Existence of Most Specific Hypothesis for solo throat-singer and orchestra, and Kaze-no-Oka for biwa, shakuhachi, and orchestra, was released by the Boston Modern Orchestra Project in 2010.

Pehr Henrik Nordgren

Amor Desesperada, 4 Pieces after Pablo Neruda's 20 Poemas de amor, y una canción desesperada for soprano, baritone, koto, shakuhachi and double bass, Op. 120 (2003)

Rodrigo Rodriguez

He has lived and studied shakuhachi in Japan under the discipline of the Master Kaoru Kakizakai in The International Shakuhachi Kenshunkan School and with Kohachiro Miyata one of Japan's leading players of the shakuhachi.

Shingetsu

"Shingetsu" has been recorded by many shakuhachi artists, including Watazumi Doso, Yokoyama Katsuya, and Alcvin Takegawa Ramos.

The Happy End Problem

At the time, the shakuhachi player, Kikutsubo Day was a student of Frith's at Mills College in the United States, and he constructed "Imitation" around her playing.


see also