This, and at least one other of Armstrong's films (some stills of which have survived by being reproduced in a book by Georges Sadoul), is in white silhouette on a plain black background.
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It is, however, most likely that neither the German animator Lotte Reiniger nor the American puppeteer Tony Sarg knew of his work, and it was Reiniger who first established many of what are now the standard practices of the formant with her first film, Das Ornament des verliebten Herzens (The Ornament of the Enamoured Heart, 1919).
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