The picture was credited as being directed by Gregory Ratoff, though Ratoff collapsed near the end of the five-month production, and was replaced by László Benedek, who completed principal photography; the credited screenwriters were Paul Jarrico and Richard J. Collins.
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The film was the first pro-Soviet Hollywood film of its time and was followed by others, including Samuel Goldwyn's The North Star (1943), MGM’s Song of Russia (1944), United Artists’ Three Russian Girls (1943), Columbia’s The Boy from Stalingrad (1943) and Counter-Attack (1945).