In October 1644, the Viennese lodge announced that master stonemason Giacomo Provino (Jacopo Provin) from the Spital am Pyhrn monastery requested sending his son Andreas Provin for the next three years as an apprentice to master stonemason Ambrosius Petruzzy, citizen of Vienna.
According to the abbot’s wish, the frescoes had to be similar to those of the abbey at Spital am Pyhrn, showing Mary ascending to the glory of Heaven.
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