Lawrence Ferlinghetti had a similar collaboration with saxophone player Stan Getz.
Her works have been used in the artwork of various record covers, including a number of albums by Stan Getz.
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In 1956 he joined Ib Glindemann's big band, where he remained through 1959; he also played with visiting American musicians around this time, such as Oscar Pettiford, Stan Getz, Dexter Gordon, Lee Konitz, Ben Webster, and Kenny Dorham.
As house drummer at Ronnie Scott's club he played with numerous leading American jazzmen, including Dizzy Gillespie, Stan Getz, Jim Hall, Freddie Hubbard and Rahsaan Roland Kirk.
Although Ellington never played the tune again after the recording session, many other artists have since recorded it, including Stan Getz, Jimmy Rowles, Joe Henderson and Bobby Watson.
Bruce Clarke worked with Frank Sinatra and recorded with him on his tour of Australia, and also worked with Mel Torme, Dizzy Gillespie, Stephane Grappelli, Stan Getz, and Legendary Guitarist John Collins (by whom he was greatly influenced), amongst many other world class musicians.
However, they were instrumental in creating a vogue among jazz musicians for recording in a similar fashion: see Clifford Brown with Strings in 1955, Lady in Satin by Billie Holiday in 1958, and Focus by Stan Getz in 1961, among others.
He worked with a variety of top swing and Dixieland musicians including Gene Krupa, Joe Venuti, Stan Getz, Zoot Sims, Al Cohn, Bob Wilbur, Eddie Condon, and Bobby Hackett but became primarily a soloist after 1967, especially in the Northeast United States.
Burton has played with a wide variety of jazz musicians, including Carla Bley, Hank Garland, Gato Barbieri, Keith Jarrett, Chick Corea, Steve Lacy, Pat Metheny, Makoto Ozone, Tiger Okoshi, Stan Getz, Herbie Hancock, B.B. King, Tommy Smith, Eberhard Weber, Ralph Towner, Peter Erskine, Stephane Grappelli and Ástor Piazzolla.
Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto.
His own composition, the Dolphin, is considered a jazz standard, being recorded by artists as diverse as Stan Getz, Bill Evans and Denny Zeitlin.
Such names as Stan Getz, Hank Jones, Max Roach, Sam Baron, Julius Baker, Murray Panitz, Doriot Dwyer, Elaine Douvas, Donald Peck, Armando Ghitalla, Stanley Drucker, and countless other first chair players in the five major American orchestras were prevailed upon to add their skills to MMO recordings.
In 1982 and 1984, Romus attended the Stanford Jazz Workshop summer programs where he participated in master classes led by Stan Getz, Bruce Forman, Eddie Moore, and Dizzy Gillespie.
A left-handed drummer, Levey has played on over thousands of recordings, including those with musicians Dizzy Gillespie, Charlie Parker, Miles Davis, Stan Getz, Ella Fitzgerald, Peggy Lee, Frank Sinatra, Nat King Cole and with bands such as that of Quincy Jones, and Skitch Henderson and The Tonight Show Band.
During these New York years Walt worked and recorded with many 'name' artists such as: Tony Bennett, Stan Getz, Lena Horne, Gerry Mulligan, Doc Severinsen, Frank Sinatra and Sarah Vaughan.
Her debut album, Let There Be Love, with Stan Getz on saxophone and Eddie Duran (a Benny Goodman Band graduate) on guitar, was released on the Concord Jazz label (CJ-206) as an LP for Valentine's Day 1983.
1976 saw the release of The Best of Two Worlds, a reunion with Stan Getz, featuring singer Miúcha, (sister of Chico Buarque), who had become Gilberto's second wife in April 1965.