Supportive of the work was Stephen Glanville (who had previously assisted with the play Akhnaton and pushed Christie into writing Death Comes as the End), Edmund Cork and Max himself to who it was given as a homecoming present.
Both of these works are set in ancient Mesopotamia, and Christie herself acknowledged in her autobiography that neither of these works would have been possible without Glanville.
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Publication date unknown: Glanville S.R.K. and Faulkner, R. O., Catalogue of Egyptian Antiquities in The British Museum II: Wooden Model Boats.
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