Stephen Greenblatt argues that Shakespeare probably initially loved Hathaway, supporting this by referring to the theory that a passage in one of his sonnets (Sonnet 145) plays off Anne Hathaway's name, saying she saved his life (writing "I hate from hate away she threw/And saved my life, saying 'not you.'").
Greenblatt self-identifies as an Eastern European Jew, an Ashkenazi, and a Litvak.
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Much of his work has been "part of a collective project", such as his work as co-editor of the Berkeley-based literary-cultural journal Representations (which he co-founded in 1983), as editor of publications such as the Norton Anthology of English Literature and as co-author of books such as Practicing New Historicism (2000), which he wrote with Catherine Gallagher.
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Greenblatt's works on new historicism and “cultural poetics” include Practicing New Historicism (2000) (with Catherine Gallagher), in which Greenblatt discusses how “the anecdote… appears as the ‘touch of the real’” andTowards a Poetics of Culture (1987), in which Greenblatt asserts that the question of “how art and society are interrelated,” as posed by Jean-François Lyotard and Fredric Jameson, “cannot be answered by appealing to a single theoretical stance”.
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Greenblatt's grandparents immigrated to the United States during the early 1890s in order to escape a Czarist Russification plan to conscript young Jewish men into the Russian army.
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OHP's editorial board includes leading scholars and open access advocates such as Alain Badiou, Jonathan Culler, Stephen Greenblatt, Jean-Claude Guédon, J. Hillis Miller, Antonio Negri, Peter Suber and Gayatri Spivak among others.
This was part of a project on cultural mobility carried out by the scholar Stephen Greenblatt and the off-Broadway dramatist Charles L. Mee.