Angelica | Angelica Kauffman | Angelica Garnett | Angélica María | Angelica sinensis | Angelica Pickles | Angelica Bridges | Angélica Vale | Mother Angelica | Angelica Segerbäck | Angélica Rivera | Angelica, New York | Angelica McDaniel | Angelica Maria | Angelica Lee | Angelica-Constantiniana Academy of Arts and Sciences | Angelica Catalani | Angelica Bengtsson | Angelica (band) | Angelica Aragón | Angelica and Medoro | Angélica | A leaf of ''Angelica sylvestris |
During the 1997–2001 operatic seasons Pendatchanska sang the role of Elisabetta in Roberto Devereux (Turin and Naples), Adina in Adina (Pesaro), Suor Angelica in Suor Angelica (Lucca), Luisa in Luisa Miller (Naples and Berlin), and in Ermione (Santa Fe and New York).
She also created roles in several world premieres at the Met, including Johanna in Reginald De Koven's The Canterbury Pilgrims (1917), Amy Everton in Charles Wakefield Cadman's Shanewis (1918), the Monitress in Suor Angelica (1918), and Ciesca in Gianni Schicchi (1918).
She has recorded the Mahler Symphony No. 8, Urlicht in Des Knabenwunderhorn and Elijah for Decca, Oberto for Philips, Suor Angelica and the Cherubini Mass in D Minor for EMI.