Writing about LeBaron's 1989 Telluris Theoria Sacra (for flute/piccolo, clarinet/bass clarinet, violin, viola, cello, percussion, and piano), musicologist Susan McClary notes that the work "...points to LeBaron's more pervasive interest in music's ability to mold temporality, immersing the listener in a sound world in which time bends, stands still, dances, or conforms to the mechanical measure of the clock" (Lochhead 2007).
One particularly controversial work is 1991's Feminine Endings, by Susan McClary.
Susan McClary, Modal Subjectivities: Self-Fashioning in the Italian Madrigal, p. 38-56.
Susan Sarandon | Susan Sontag | Susan B. Anthony | Susan G. Komen for the Cure | Susan Tedeschi | Susan Collins | Susan Ashton | Susan Roces | Susan Glaspell | Susan Stroman | Susan Kare | Susan Hayward | Susan Haack | Susan Sheridan | Susan Lucci | Susan Werner | Susan Sullivan | Susan Oliver | Susan Love | Susan Dey | Susan Cooper | Susan Blackwell | Susan Reynolds | Susan Raye | Susan P. Crawford | Susan Maughan | Susan Ivanova | Susan Hill | Susan Estrich | Susan Crowe |