The movie was directed by Richard Fleischer, who two decades before had directed several strong B noirs, including Armored Car Robbery (1950) and The Narrow Margin (1952).
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Where Altman's subversion of the film noir mythos was so irreverent as to anger many contemporary critics, around the same time Woody Allen was paying affectionate, at points idolatrous homage to the classic mode with Play It Again, Sam (1972).
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The work of David Lynch—particularly Blue Velvet (1986), Lost Highway (1997), Mulholland Drive (2001), and the Twin Peaks cycle, both TV series (1990–91) and movie, Fire Walk with Me (1992)—shows the influence of film noir filtered through a uniquely individualistic vision.
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The Manchurian Candidate (1962), directed by John Frankenheimer, Shock Corridor (1962), directed by Sam Fuller, and Brainstorm (1965), directed by experienced noir character actor William Conrad, all treat the theme of mental dispossession within stylistic and tonal frameworks derived from classic film noir.
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