It was scripted and storyboards were produced, getting further than most 'lost episodes'.
The teleplay by John Gay is based on the novel of the same name by Robert Oliphant.
It was then passed to John Mantley, later the producer of western TV series Gunsmoke (from 1965-1967/Exec.Prod:1968-1975), to write the final teleplay.
Call it Courage was filmed for television with a teleplay by Benjamin Masselink and a narration by Don Ho, and appeared on The Wonderful World of Disney for the first time in 1 April 1973 (Season 19, Episode 20).
The Wild Geese (1977) (originally titled The Thin White Line) ISBN 0-552-10869-3, made into a film with a screenplay by Reginald Rose (author of 12 Angry Men).
"7:15 A.M." 1.10 (Thomsen wrote a teleplay, based on a story by co-creators Eddy Kitsis and Adam Horowitz)
My Little Pony: Friendship Is Magic - Feeling Pinkie Keen, Over a Barrel, Too Many Pinkie Pies, Spike At Your Service (story), Keep Calm and Flutter On (teleplay), Games Ponies Play, Daring Don't, Rarity Takes Manehattan
Coscarelli also directed the premiere episode of the American TV series Masters of Horror entitled Incident On and Off a Mountain Road and co-wrote the teleplay with Stephen Romano.
It is a remake of the Golden Bear winning, American motion picture 12 Angry Men (1957), which was directed by Sidney Lumet, the film in turn was an adaptation from a teleplay of the same name by Reginald Rose.
In 1980, he wrote the teleplay for the TV movie Guyana Tragedy: The Story of Jim Jones, which he also had a hand in producing), which got him an Emmy nomination.
The title of the 1959 teleplay was originally Man of La Mancha, but sponsor DuPont Corp. objected and producer David Susskind changed it to the more specific I, Don Quixote, fearing that the TV audience would not know who Wasserman was referring to if the original title was used.
He wrote the screenplays for over twenty films, including Footlight Fever (1941), The Amazing Mr. X (1948) and Mastermind (1976), as well as episodes of the popular television series The Defenders and the teleplay for the 1982 miniseries The Blue and the Gray.
The teleplay, written by David Bennett Carren, was based on a 1982 story originally written by Carren for the Twisted Tales comic book.
"Peter" (2.16) (Wyman, Pinkner, and supervising producer Josh Singer wrote a teleplay, based on a story along with Goldsman)
Olmstead and Nicholas Wootton co-wrote the teleplay for the episode "Healthy McDowell Movement" from a story Worth co-wrote with Clark.
Black also wrote the teleplay for and was the associate producer of one of the outstanding early episodes of Star Trek—The Naked Time.
Beverly Hills, 90210 (1990) TV Series (story) (episode Dog's Best Friend) (teleplay) (episode Fortunate Son) (teleplay) (episode Spring Breakdown) (multiple episodes 1995–1999)
Both have story credits on "It's Only a Paper Moon", which was written as a teleplay by Ronald D. Moore.
Noel Behn wrote the teleplay for the episode "A Model Citizen" from a story from Zamacona and Fontana.
He joined Mitani Koki's Tokyo Sunshine Boys theatrical troupe in 1983, which grew in popularity until its movie debut with the parody of Reginald Rose's 12 Angry Men, a comedy called 12 Gentle Japanese released in 1991.
He played the role of Secretary of State Dean Rusk in the 1974 teleplay The Missiles of October, and played President Herbert Hoover in the 1979 miniseries Backstairs at the White House.
In 1966, he was awarded an Emmy for his teleplay for the Hallmark Hall of Fame drama Eagle in a Cage.
The teleplay broadcast in February 1968, and received an Emmy award nomination for the score, written by Bernard Green.
For the October 18 telecast of Murder and the Android, Alfred Bester scripted a teleplay adaptation of his cyber-crime story "Fondly Fahrenheit," first published in The Magazine of Fantasy & Science Fiction (August 1954).
The teleplay was written by Frank Pugliese based on a story he wrote along with executive director Tom Fontana.
The teleplay was co-written by Robert Specht who had contributed to the TV series The Outer Limits and The Immortal.
The episode's teleplay was written by David S. Goyer and Brannon Braga, who also conceived of the television story, based upon the novel of the same name by Robert J. Sawyer.
In 1983, Say Goodnight, Gracie was adapted by the author for a 90-minute teleplay which was seen on Chicago's PBS affiliate WTTW with the original Steppenwolf cast of Joan Allen, Jeff Perry, Glenne Headly, Francis Guinan and John Malkovich.
Russo wrote the teleplay for the HBO adaptation of Empire Falls, the screenplay for the 2005 film Ice Harvest, and the screenplay for the 2005 Niall Johnson film Keeping Mum, which starred Rowan Atkinson.
Mr. Rueff's works for the screen include the teleplay God Lives produced by the Magic Door Children's Theater in Chicago and The Big Kahuna, his screen adaptation of Hospitality Suite, starring Kevin Spacey and Danny DeVito.
He co-wrote the story for the episode "Forget Me Not" with Kring and Steve Valentine and co-wrote the teleplay with Kring.
The teleplay and adaptation are by Mr. Sachs himself, and the film was directed by Joseph Sargent.
In 1973, David Rabe wrote the teleplay for and Robert Downey Sr. directed a CBS television movie based on Rabe's play.
written by Richard Baer with the teleplay written by Laurence Marks and Larry Gelbart, it originally aired on CBS-TV on March 4, 1973.
The teleplay by Richard Shapiro is based on the best-selling 1977 novel by Joyce Rebeta-Burditt.
The pilot was originally written by Michael Petroni as a screenplay for Touchstone, but was later adapted into a teleplay for ABC by Richard Hatem.
Directed by Michael O'Herlihy from a teleplay by Wallace Ware (David Karp), "The Golden Spiders" aired January 16, 1981.
The screenplay was written by Leslie Stevens from a teleplay by Gore Vidal, which he wrote for the television series The Philco-Goodyear Television Playhouse 1955 episode The Death of Billy the Kid, in which Newman also played the title character.
The first use of the title The Whimper of Whipped Dogs was a teleplay for a 1970 episode of the TV series The Young Lawyers, which was serialized in Ellison's Los Angeles Free Press television critique column at the time, The Glass Teat.